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Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Boyer, Jean-Pierre. Letter of inquiry for a residency at the Experimental Television Center by Montreal video artist Boyer. December 2, 1973.., 1973.
Bear, Lisa. "Various Artists." Avalanche, no. eight (1973).
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Birdwhistell, Ray L.. Kinetics and Context: Essays on Body Motion Communication.. Philadelphia: University of Pennsylvania Press, 1970.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Barzyk, Fred. "TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
Jones, Dave, and Richard Brewster. Jones Switcher. Binghamton, NY: Experimental Television Center, 1978.
Boyle, Deirdre. "Juan Downey's Recent Videotapes." Afterimage 6, no. 40545 (1978).
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Bode, Peer. Representation and Abstraction in Video., 1981.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Berger, John. Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972.
Baggaley, Jon, and Steven Duck. Dynamics of Television. London: Gower Press, 1976.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, Philip Beitchmann.. Semiotext(e), 1983.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Brewster, Richard, and Dave Jones. System I, Sequencer. Binghamton, NY: Experimental Television Center, 1978.
Beyond / In Western New York., 2005.
Barlow, Melinda. "Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape." Afterimage 25, no. 2 (1997): 6-10.
BJA Systems Model 135 Colorizer Preliminary Data Sheet (2 copies); Chromaton 14 Synthesized Animation for Television. Willow Grove, PA: BJA Systems, Inc., 1976.
Barthes, Roland. Camera Lucida. Translated by Richard Howard.. NY: Hill and Wang, 1981.
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.