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Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
"Black Face." The Quarterly Journal of the Black Filmmaker Foundation 1, no. 1 (1989).
Bark Productions, Cuddy, Terry, John Beer, and Marshall Stax. Self-Portrait (Upside Down) by John Beer and Terry Cuddy. Ithaca, NY: Bark Productions, undated.
Jones, David, and Richard Brewster. JVC VTR Manual Gain Override and Meter Driver Schematic Sheet. Owego, NY: ETC, undated.
Boyle, Deirdre. "Edin Velez, Too." Sightlines (1985).
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Bode, Peer. Ostee-Biennale 1992 Sad steinerne Licht. Kunsthalle Rostock, 1992.
Barnouw, Erik, and Patricia Zimmermann. "The Flaherty." Wide Angle 17, no. 40547 (undated).
Platt, Fran, and Gerry Pallor Bill Jones, Ann Volkes. "Upstate Report part one." The Independent 3, no. 2 (1980): 11-12.
Brecht, Bertolt. "Radio as a Means of Communication, A Talk on the Function of Radio. Translated by Stuart Hood." Screen 20, no. 40606 (1979).
Bear, Liza. "various articles." Avalanche, no. 7 (1973).
Bell, Clive. Art. New York, NY: Capricorn Books, 1958.
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
McArthur, Donald, and Richard Sherry Brewster, Miller. Vasulka, Experimental Television Center Computer Project documents (1977). Binghamton, NY: Experimental Television Center, 1977.
Brewster, Richard, and Dave Jones. System I, General Schematics. Binghamton, NY: Experimental Television Center, 1978.
Bronson, A. A., and Peggy Gale. Performance by Artists, Edited by A. A. Bronson. Toronto: Art Metropole, 1979.
Bittanti, Matteo. GameScenes. Art in the Age of Videogames, Edited by Matteo Bittanti and Domenico Quaranta. Milan, Johan & Levi, 2006.
Berke, Joseph. Counter Culture., Edited by Joseph Berke. London: Peter Owen Ltd., 1969.
Baldessari, John. John Baldessari. Ny: The New Museum, 1981.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Boyle, Deirdre. "Libraries." Televisions The Quest for Distribution issue VI, no. 3 (1978).
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Bloch, Dany. l'Art et la Video: 1960-1980. Edizioni Flaviani In French, Edited by Dany Bloch. Locarno, Switzerland, 1982.
Barnouw, Erik. History of Broadcasting. 3 volumes.. NY: Oxford Press, 1970.
McArthur, Donald, and Richard Brewster. Buss Indicator. Binghamton, NY: Experimental Television Center, 1977.
Boyle, Deirdre. "Who's Who in Video: Bill Viola." Sightlines 16, no. 3 (1983).