Biblio

Barzyk, Fred. "TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).

Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.

Bodolai, Joe, and Harry Isobel. "Decentralization of the Means of Visual Production." Artscanada: The Issue of Video Art XXX, no. 4 (1973).

Becker, Barbara. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.

Brewster, Richard. Buffer Memory. Binghamton, NY: Experimental Television Center, undated.

Brewster, Richard. Experimental Television Center, Brewster Analog System (Analog Synthesizer). Owego, NY: Experimental Television Center, 1979.

Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.

Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.

Demes, Samuel, and Jennie Brogdon. "Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).

Boston, George. Archiving the Audio-Visual Heritage, Edited by George Boston. UNESCO, 1992.

Berke, Joseph. Counter Culture., Edited by Joseph Berke. London: Peter Owen Ltd., 1969.

Baggs, Tom. Show Notes by Tom Baggs. Cincinnati, OH: Tom Baggs Video Gallery, undated.

Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.

Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.

Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.

Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.

Boyle, Deirdre. "Growing Up Wired." American Film (1982).

Barnouw, Erik. Documentary. London: Oxford University Press,, 1974.

Barthes, Roland. Critical Essays. Translated by Richard Howard. Evanston, IL: Northwestern University Press, 1972.

Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.

Bode, Peer. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.

Beck, Stephen. "The Phosphotron." SEND 9 (1984).

Platt, Fran, and Gerry Pallor Bill Jones, Ann Volkes. "Upstate Report part II." The Independent 3, no. 4 (1980): 19-20.

Brewster, Richard. Hubbell Adapter Schematics for ETC Dimmers., undated.

Brewster, Richard, and Dave Jones. System I, Keyers and Voltage Controlled Amplifiers (VCA's). Binghamton, NY: Experimental Television Center, 1978.

Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.

Burnham, Jack. "Systems Aesthetics." Artforum 7, no. 1 (1968).

Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.

Bennahum, David S.. Extra Life: Coming of Age in Cyberspace. Basic Books, 1999.

Benmussa, Simone, and Susan Britton. Babajaga: Rassegna Internazionale Donne Autrici di Cinema e Video. Schede Video.. Roma, Italy: Coop. Il Bagatto.