Biblio

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bibliographic
Duguet, Anne Marie. "Nam June Paik." Canal, no. 49 (1982).
De Jong, Constance. The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Morgan, Christopher L.. Digital Graphic Systems CAT-100- A Complete Color Imaging System on Two S-100 Boards with Video Frame Grabber; Graphics Routines for the CAT-100 Version 3.0 (15 pages both sides). Palo Alto, CA: Digital Graphic Systems, 1978.
Raytheon Learning Systems Company. Dage-Bell Corporation. Instruction Manual: 101580-01 and 101581-01 Video Switchers.. Michigan City, IN: Raytheon Learning Systems Company., 1967.
Dynasciences Video Products. Blue Bell, PA: Dynasciences, 1975.
Delehanty, Suzanne. May 9, 1974. Institute of Contemporary Art, Philadelphia, organizing Video Art. Use of Paik Abe Video Synthesizer.., 1974.
Dowling, Susan. "The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
Danto, Arthur. After the End of Art. Princeton, 1997.
Davis, Douglas. "Art and Technology; The New Combine." Art in America 56, no. 1 (1968).
Dhondy, Farrukh. "Keeping Faith: Indian Film and its World." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 125-140.
DeWitt, Tom. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: The Video Synthesizer by Tom Dewitt., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
D'Agostino, Peter. Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Druckery, Timothy. Electronic Culture, Edited by Timothy Druckery. NY, 1996.
Computer Art: An Ohio Perspective. Dayton, OH: Dayton Visual Arts Center, 1993.
Dasgupta, Gautam, and Christopher Ho. Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Dienst, Richard. Still Life in Real Time: Theory after Television. Durham, NC: Duke University Press, 1994.
Daedalus. "Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).
Dunn, David. Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Decillionix., Retzinger, Dan. Decillionix. Sound Products for Apple Computers. DX-1.. Sunnyvale, CA: Decillionix., 1984.
Vasulka, Woody. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Curatorial Statement, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
and Davis, Experimental Television Center Paul, Cromemco, and Texas Instrument. Bytesaver Instruction Manual, Bytesaver II Instruction Manual, TMS Video Display Processor Data Manual, Tarbell Floppy Disks (Volume 2). Trevose, PA: Cromemco Inc., undated.
DeNeve, Rose. "Designing for TV." Print XXVI, no. I (1972): 42-71.
Berkowitz, Terry, and David Donihue. Alternating Currents. NY: Alternative Museum, 1985.
Drew, Nancy. So There, Orwell 1984, Edited by Nancy Drew. New Orleans: Louisiana World Exposition, 1984.
Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration between Science, Technology and Art. NY: Praeger, 1973.
Duckler, Marvin. "Talking Faces, Eating Time, and Electronic Catharsis." National Center for Experimental in Television Reports 2 (undated).
Davis, Paul. Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 (26 pages). Owego, NY: Experimental Television Center, 1979.

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