Biblio

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bibliographic
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Instruction Manual for Fairchild Model 658A Reverberation System includes the Integra Series Model 661 Auto-Ten (TL) Automatic Attenuator; 662 Preamplifier.. L.I.C., N.Y.: Fairchild Recording Equipment Corporation, undated.
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Fargier, Jean Paul. Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Fenton, Charles. Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Fuller, Leslie. Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see.., 1990.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Fairlight Computer Video Instrument Sales Literature. Sydney, Australia: Fairlight Instruments, undated.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Felix, Zdenek. Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
"various." Release Print: The newsletter of Film Arts Foundation 16, no. 9 (1993): 1-29.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Fairlight CMI Owner's Manual. Sydney, Australia: Fairlight Instruments, Inc., undated.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
McLuhan, Marshall, and Quentin Fiore. War and Peace in the Global Village. New York, NY: Bantam Books, 1968.
Fairlight Computer Video Instrument Operator Manual Revision 5. Sydney, Australia: Fairlight Instruments, undated.
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).

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