Biblio

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bibliographic
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
"various." Release Print: The newsletter of Film Arts Foundation 16, no. 9 (1993): 1-29.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Fairlight CMI Owner's Manual. Sydney, Australia: Fairlight Instruments, Inc., undated.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
McLuhan, Marshall, and Quentin Fiore. War and Peace in the Global Village. New York, NY: Bantam Books, 1968.
Fairlight Computer Video Instrument Operator Manual Revision 5. Sydney, Australia: Fairlight Instruments, undated.
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Furlong, Lucinda. "Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
Flexer, Jules Robert, and Dr. Christopher L. Morgan. Digital Video Systems Schematics for CAT-100/C D Board Rev. 5- 6/29/80; CAT-100/C A Board Rev. 2C- 7/3/80. Copy of CAT-100 Operator Guides.. Palo Alto, CA: Digital Graphics Systems, 1980.
Fifield, George. "The Digital Atelier." Art New England (1997).
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Felsenstein, Lee. "?Report on the Status of the Tom Swift Terminal Design?" LGG Engineering 1, no. 1 (1976).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Kubota, Shigeko, Toni Stoss, and Zdenek Felix. Shigeko Kubota: Video Scuptures. Germany, undated.
A Guide to Programming the Fairchild F-8 Microcomputer, Revision A. Mountain View, CA: Fairchild Semiconductor, 1975.

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