Biblio

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bibliographic
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Felix, Zdenek. Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
Fernseh GMBH Portable TV-Transmission Equipment KS9D. Darmstadt , Germany: Fernseh GMBH, 1965.
of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Instruction Manual for Fairchild Model 658A Reverberation System includes the Integra Series Model 661 Auto-Ten (TL) Automatic Attenuator; 662 Preamplifier.. L.I.C., N.Y.: Fairchild Recording Equipment Corporation, undated.
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
Fargier, Jean Paul. Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Fenton, Charles. Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Fuller, Leslie. Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see.., 1990.
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Fairlight Computer Video Instrument Sales Literature. Sydney, Australia: Fairlight Instruments, undated.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Felix, Zdenek. Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
"various." Release Print: The newsletter of Film Arts Foundation 16, no. 9 (1993): 1-29.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Fairlight CMI Owner's Manual. Sydney, Australia: Fairlight Instruments, Inc., undated.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
McLuhan, Marshall, and Quentin Fiore. War and Peace in the Global Village. New York, NY: Bantam Books, 1968.

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