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Hocking, Sherry Miller. Definitions., 1977.
High, Kathy. "Censoring the Media." Felix: A Journal of Media Arts and Communication 1, no. 1 (1991).
Harithas, James. Work from Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Hearn, William. EAB Videolab Interconnections or Patch Diagrams 1 through 12. Berkeley, California: Electronic Associates of Berkeley, 1977.
Haller, Robert. "Video Texts: 1983 - Interview with Steina." Video Texts: 1983 (1983).
Hornbacher, Sara. American Community Video : Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Canadian Centre of Photography and Film. Image Nation 26: New Canadian Photography, La Nouvelle Photographie Canadienne., Edited by David Hlynsky and Jayce Salloum. Toronto, Canada: Canadian Centre of Photography and Film, 1982.
High, Kathy. "Landscape(s)." Felix: A Journal of Media Arts and Communication 2, no. 1 (1995).
Hathaway, James. "Artist Uses Technology to Tackle the World." Arizona State University College of Fine Arts Newsletter (1994).
Hocking, Sherry Miller, and Richard Brewster. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Heathkit, Heath/Schlumberger. Heath/Schlumberger Instruments 1979; Heathkit Winter-1979. Benton Harbor, MI: Heathkit, undated.
Hallock, Don. Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer.., 1973.
Herzogenrath, Wulf. Nam June Paik: Fluxus Video, Edited by Wulf Herzogenrath. Munich: Verlag Silke Schreiber, 1983.
Hamamoto, Darrell. "Computers & Video: Three Videos." LBMAVideo 2, no. 3 (1982).
Houston Instrument Series 2000 and 3000 Recorders. Austin, TX: Houston Instrument (a division of Bausch and Lomb), undated.
Gillette, Frank, James Harithas, and Willoughby Sharp. Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Hearn, William. EAB VideoLab Instruction Manual (Modules A-D). Berkeley, California: Electronic Associates of Berkeley, undated.
Hahn, Alexander. Alexander Hahn: Rats.Ratten. Berlin: DAAD/Stop Over Press, 1994.
Unterseher, Fred, Jeannene Hansen, and Bob Schlesinger. Holography Handbook: Making Holograms the Easy Way: Hologram included.. Berkeley, CA: Ross Books, Inc., 1982.
Hitachi Model FP-Z31/FP-Z31L Portable Color Camera Service Manual. Includes AP-40 Power Supply.. Tokyo, Japan: Hitachi Denshi, Ltd., undated.
Hewlett Packard/ Sanborn Division. Operating and Service Manual. 60-1300, 60-1300B Sanborn Twin-Viso Recorder.. Waltham, MA: Hewlett Packard/ Sanborn Division., 1957.
Hara, Toshio, and Bjorn Tore Godal. Extended Points: Three Contemporary Artists from Norway.. Oslo, Norway: Hara Museum of Contemporary Art, 1998.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1965.
Hearn, William. 77 Videolab Voltage Controlled Colorizer, Genlock Version. Berkeley, California: Electronic Associates of Berkeley, 1976.
Hall, Doug. "Video Art: A Short History (On the Head of a Pin)." Video Networks 11, no. 1 (1986).
Hocking, Ralph, and Richard Brewster. Hocking System. Binghamton, NY: Experimental Television Center, 1973.
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
High, Kathy. "Shot/Reverse Shot: A Cross-Circuit Videologue." Felix: A Journal of Media Arts and Communication 1, no. 2 (1992).
Harris, Craig. "FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).