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McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Sandin, Dan, and Phil Morton. Conversational Process: Feedback Loops., 1973.
Miller, Branda. Surveillance. Los Angeles: (LACE), 1987.. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Moore, Rebecca, and Gayle Gibbons Larry Kirkman. "various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
Meigh-Andrews, Chris. A History of Video Art. Oxford-New York,: BERG, 2006.
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Vitiello, Stephen, and Leanne Mella. "Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
Minkowsky, John. "Mindframes: Media Study at Buffalo, 1973-1990." Film Quarterly 61, no. 2 (2007).
Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 5. Morse/ Electrophonic Chassis 2UA.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Messier, Paul. Media Alliance Preservation Survey. Boston: Boston Art Con, 1997.
Mumma, Gordon. Considerations of the Basic Parameters of Sound., undated.
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
McIntosh MC 2100; MC 250, 275 Solid State Stereo Amplifier Sales Literature.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
MacCabe, Colin. High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
Moholy-Nagy, Sibyl, and Walter Gropius. Moholy-Nagy: Experiment in Totality. Cambridge, MA: MIT Press. Massachusetts Institute of Technology, 1950.
Marshall, Stuart. "Video Technology and Practice." Screen 20, no. 1 (1979).
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
Anderson, Lindsay, Chuck MacCann, and Jack Paritz. Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Media Alliance 1985 Annual Conference. New York, NY: The Kitchen, 1985.
MacDonald, Dwight. Dwight MacDonald on Movies. Englewood Cliffs, NJ: Prentice- Hall, Inc., 1969.
Rhea, Tom. Micromoog 2090 Operation Manual. Lincolnwood; Williamsville, Illinois; N.Y.: Moog (A Product of Norlin Corporation), 1976.
McDarrah, Fred. "Scenes from An Avant-Garde Festival." The Village Voice (1972).
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Strange, Allen, and Gordon Mumma. Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.