Biblio

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bibliographic
McHale, John. "Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
McIntosh Owner's Manual for Model MPI 4 Maximum Performance Indicator.. Binghamton, NY: McIntosh Laboratory, Inc., 1973.
Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.
MPCS Sales Literature. NY, NY: MPCS Communications Industries, Inc., undated.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1353, Folder 5, MGA Models: RWF-82, RWF-83.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Montgomery Ward Model 10301 CED Video Disc Player. Chicago, Illinois: Montgomery Ward, 1981.
McLuhan, Marshall. Understanding Media: The Extensions of Man. NY: McGraw-Hill, 1964.
MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.
Canada Trajectoires 73. Montreal, Canada: Lithographe Desjardins, 1973.
Microbotics, Inc. StarDrive SCSI Module User's Guide, vers. 1.02.. Richardson, TX: Microbotics, Inc., undated.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Moore, Rebecca, and Gayle Gibbons Larry Kirkman. "various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
Meigh-Andrews, Chris. A History of Video Art. Oxford-New York,: BERG, 2006.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Sandin, Dan, and Phil Morton. Conversational Process: Feedback Loops., 1973.
Miller, Branda. Surveillance. Los Angeles: (LACE), 1987.. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.
Vitiello, Stephen, and Leanne Mella. "Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
Minkowsky, John. "Mindframes: Media Study at Buffalo, 1973-1990." Film Quarterly 61, no. 2 (2007).
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 5. Morse/ Electrophonic Chassis 2UA.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Messier, Paul. Media Alliance Preservation Survey. Boston: Boston Art Con, 1997.
Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
Moholy-Nagy, Sibyl, and Walter Gropius. Moholy-Nagy: Experiment in Totality. Cambridge, MA: MIT Press. Massachusetts Institute of Technology, 1950.
McIntosh MC 2100; MC 250, 275 Solid State Stereo Amplifier Sales Literature.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
MacCabe, Colin. High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
Mumma, Gordon. Considerations of the Basic Parameters of Sound., undated.

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