Biblio

Web Article
Bowman, Greg. Interview with Nancy Meli Walker: Jamming with The Poool and NNeng. Video Art Research Project, 1998.
Bainbridge, Benton. Interview with Walter Wright. Pulsating Okay, 1998.
Schlanger, Matthew. Jones Modular Video Synth., 2011.
Hocking, Sherry Miller. Looking Back/Looking Forward: A Symposium on Electronic Media Preservation., 2003.
Hones, Luke. Reel to Real: A Case Study of BAVC's Remastering Model., 2002.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Hocking, Sherry Miller, and Mona Jimenez. Video Preservation - The Basics., 2000.
Unpublished
Howard, Brice. An Ancient Gift. San Francisco, CA: National Center for Experiments in Television at KQED, undated. Abstract
Kaplan, George. Architectural Space, Psychology, and Video. San Francisco, CA: National Center for Experiments in Television, undated. Abstract
Schlanger, Matthew. Art Statement., undated.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Sorensen, Vibeke. Art, Science. http://visualmusic.org/vibeke, 1995. Abstract
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989. Abstract
Schlanger, Matthew. Black Dog Dreams., 1999.
Wright, Walter. Block Diagram. New York, NY: Wright Computer Graphics, 1972. Abstract
Cornell Cinema(staff). Brief History of Cornell Cinema., undated.
Powell, Alan. Collaboration in Electronic Image Processing: Electron Movers. self-published MFA Thesis for Rutgers University, 1987.
Moore, Richard O.. Communication, Organizations and John Stuart Mill. San Francisco, CA: National Center for Experiments in Television at KQED, undated. Abstract
McArthur, Donald. Computer Based Video Synthesis System: Interface of LSI-11 Computer to Video Image Processing System., 1977. Abstract
DeFanti, Thomas A., Daniel J. Sandin, and Theodor Nelson. Computer Graphics as a Way of Life., undated. Abstract
Dietrich, Frank. The Computer: A Tool for Thought-Experiments. Salt Lake City, UT: University of Utah, Department of Communication, undated.
Aldighieri, Merrill. Confessions of a Pixil-Picker., 2004.
Edgar, Robert. A Context for First-Generation PC Art Times and Aesthetics in the Early Days of the Personal Computer: 1970s - 1980s.. http://www.robertedgar.com/Articles/RBE_LEA_Context4FirstGenPCArtists.htm, undated. Abstract
[Anonymous]. DCTV: Our History., undated.
Zimmermann, Patricia R.. De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.
Kaufman, Paul. Dear Chloe. San Francisco, CA: National Center for Experiments in Television at KQED, 1972. Abstract
Howard, Brice. Dear David. San Francisco, CA: National Center for Experiments in Television, undated. Abstract
O'Grady, Gerald. A Description of Media Study/Buffalo Film/Imagemaking Workshop (1971, 1997)., 1972.
DeWitt, Tom. Design Device - A Unique Video Synthesizer., 1976. Abstract
Quasha, George. Dialog with Ralph Hocking, Sherry Miller, Willoughby Sharp, George Quasha, Gary Hill, Neil Zusman, Paul Davis, Peer Bode., undated.

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