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Raczynska, Joanna, Redman, Eyes and Ears: SOund Needs Image, Carnegie Art Center, Tonawanda, NY, 2005
Summary: Catalog for exhibition of video and film accompanied by live performances of their musical scores. Elliot Caplan, Brian Milbrand, Kelly Spivey, Dorothea Braemer, Carolyn Tennant, Alan Rhodes, Stephen Vitiello, Siew-wai Kok, Jan Nagle, Vince Mistretta, Carl Lee, Stephanie Gray
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Radio Shack, Tandy Corporation. Radio Shack. The biggest name in little computers. TRS-80 Color Computer Micro-Computer System., Tandy Corporation., USA, 1981
Summary: Tandy Corporation. Radio Shack. The biggest name in little computers. TRS-80 Color Computer Micro-Computer System. Brochure includes the following points of interest: Start-up, Video Control Codes, Operators, Graphic Character Codes, Functions, Control Keys, Special Characters, Error Messages, and Statements.
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Radio Shack, Tandy Corporation. Radio Shack. Diagnostics: TRS-80 Color Computer. Cat. No. 26-3019., Tandy Corporation., Fort Worth, TX, 1980
Summary: Tandy Corporation. Radio Shack. Diagnostics: TRS-80 Color Computer. Cat. No. 26-3019. Cover: A yellow "D" for Diagnostics formed by an abstract circuit board. Inside, paragraphs include: Introduction, Setting Up, BASIC ROM Test, Expansion ROM Test, Quick RAM Test, Long RAM Test, Video Test, RS-232 Test, Sound Test, Cassette Test, and Keyboard Test.
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Radio Shack, Tandy Corporation. Radio Shack. TRS-80 Color Computer: Operation Manual. Catalog No. 26-3001/3002., Tandy Corporation., Fort Worth, TX, 1980
Summary: Tandy Corporation. Radio Shack. TRS-80 Color Computer: Operation Manual. Catalog No. 26-3001/3002. Cover: An artist's reproduction of the computer shows a rainbow vortex leading to a blue room with red doorway. Back cover: A scene from outer space. Contents follow: Welcome to TRS-80 Color!, Installation, Operation, Using the Television, Using the Keyboard, Using the Joystick Controllers, Using the Cassette Recorder, Troubleshooting and Maintenance, Specifications, Customer Information, and Index.
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Radio Shack, Tandy Corporation. Radio Shack. Going Ahead with Extended Color Basic: TRS-80 Color Computer., Tandy Corporation., Fort Worth, TX, 1981
Summary: Tandy Corporation. Radio Shack. Going Ahead with Extended Color Basic: TRS-80 Color Computer. Contents follow: Introduction, Part I: Shapes and Sounds (Chapters: Let's Get to the Point, Hold that Line!, Minding Your P's and Q's, The Silver Screen, Going in Circles, The Big Brush-Off, Draw the Line Somewhere, Your Computer As GP, Play it Again, TRS-80), Part II: Back To Basics (Chapters: Reading and Writing, The Numbers Game, Yes, There Are Strings Attached, In One Door and Out the Other, A Little Byte of Everything, and Machine-Language Routines), and Part III: Odds and Ends. Other sections of this colorful manual follow: Chapter Checkpoint Answers, Suggested Answers to Do-It-Yourself Exercises, Sample Programs, Worksheets, Tables, ASCII Codes, Base Conversion Chart, Mathematical Formulas, Derived Function Chart, Reference Summary, Reserved Words, Memory Map, Technical Information (ROM calls), Line Printer Variables, Index, and Customer Information.
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Radio Shack, Tandy Corporation. Radio Shack. Getting Started with Color Basic: TRS-80 Color Computer., Tandy Corporation., Fort Worth, TX, 1981
Summary: Tandy Corporation. Radio Shack. Getting Started with Color Basic: TRS-80 Color Computer. Table of Contents: Section 1- Getting the Hang of It (Chapters: Meet your Computer, Your Computer Never Forgets, See How Easy it is, Count the Beat, Sing out the Time, Decisions, Decisions, Games of Chance, Save it on Tape, Color Your Screen, One Fantastic Teacher, Help with Math, A Gift with Words, Beat the Computer, Polish it off), Section II- Graphics with Pizzazz (Chapters: Moving Pictures, The Talking Computer Teacher, Games of Motion, Faster than Motion, Let's Dance), Section III- Getting down to Business (Chapters: Keeping Tabs on Everything, Put Power in your Writing, Tape your Book Collection, Filing- as Easy as ABC, Getting Analytical), Section IV- Don't Byte off more than You Can Chew (Chapters: High Resolution Graphics, Using Machine-Language Subroutines, Memory Map). Appendixes follow: Musical Notes, Basic Colors and Graphics, Print @ Screen Locations, Graphics Screen Locations, ASCII Character Codes, Answers to Exercises, Subroutines, Sample Programs, Error Messages, and Basic Summary.
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Radio Shack, Tandy Corporation. Radio Shack. TRS-80 Color Computer Technical Reference Manual., Tandy Corporation., Fort Worth, TX, 1981
Summary: Tandy Corporation. Radio Shack. TRS-80 Color Computer Technical Reference Manual. Information for Programmers and Technicians. Table of Contents includes the following sections: Introduction, Disassembly/ Assembly, Theory of Operation, Troubleshooting, Parts Lists, Printed Circuit Board, and Schematic.
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Radio-Electronics, "various", Radio-Electronics, 1968-1972
Summary: Various articles from Radio-Electronics magazine dated 1968-1972. Includes "Kwik-Fix Picture and Waveform Charts" by Forest H. Belt and Associates. Illustrated with thumbnails of TV Picture problems.
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Raindance Corporation, Shamberg, Guerrilla Television, Holt, Rinehart and Winston, New York, NY, 1971
Summary: Guerrilla Television by Michael Shamberg & the Raindance Corporation. Contents follow: Acknowledgement, Process Notes, The Meta-Manual (Sections: Media America, From Product to Process, Techno-Evolution, Media Evolution, Information Structures, Information as Energy, Feedback, Survival Modeling, The Epistemology of Dope, Meta-Service Economy, Schools, Info-Morphology, Context, Death of Politics, The General Market, Broadcast Television, An Information Economy. The Official Manual contains the following chapters: Guerrilla Television, Tools, How to Bankrupt Broadcast Television, You Are Information, Community Video, Videotape As an Analytic Tool, Networking: Videocassettes and Cable Television, Economic Support Systems, and Cybernetic Strategies and Services.
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Ramljak, Suzanne, Ed., "selected articles", Sculpture, Vol. 10, No. 3, May/June 1991
Summary: Anne Barclay Morgan (Interactivity in the Electronic Age); Pamela Houk (Sky Art's Lofy Ambitions) Harriet Casdin-Silver (Holographic Installations); interview with Billy Kluver; Perry Hoberman
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Rankin, Scott, Video and Language: Video as Language, Los Angeles Contemporary Exhibitions , Los Angeles, 1987
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Ray, Nicholas, Susan Ray, I Was Interrupted: Nicolas Ray on Making Movies., University of California Press, Berkeley, CA, 1993
Summary: I Was Interrupted: Nicolas Ray on Making Movies. Contents follow: Acknowledgements, The Autobiography of Nicholas Ray, by Susan Ray, Nicholas Ray: A Biographical Outline, by Bernard Eisenschitz, In Class I: Introduction and Ground Rules, Learning and Teaching, I am concerned with the state..., In Class II: Monologue; Concentration; Action; Eyes; Control of Emotional Memory: I hate to bore people..., In a Prepod, In Class III: Backstory; Preparation; False Start; Director's Relaxation: Cutting, The second concern tonight..., and many other enthralling notes.
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Ray, Nicholas, Letter to Ralph Hocking; Highlights from Cannes - Ray - You Can't Go Home Again. April 1, 1972, 1972
Summary: You Can't Go Home Again - an experimental film by Nick Ray, was partly created at the Experimental Television Center.
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RCA, RCA Electronic Components Tips On The use of Image Orthicons, RCA Electronic Components, Lancaster, PA, 1968
Summary: RCA Electronic Components Tips On The use of Image Orthicons. 34 page booklet approx. 3 in. by 5 in. with red cover. "This booklet has been prepared especially to help television cameramen in the proper use of Image Orthicons." Illustrated with non-technical drawings.
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RCA, Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 2-A. RCA Remote Control Receiver, Transmitter KRT6B., Howard W. Sams & Co., Inc., Indianapolis, IN, 1974
Summary: Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 2-A. RCA Remote Control Receiver, Transmitter KRT6B.
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RCA, Radio Corporation of America (RCA). Solderless Connectors and Associated Tools, Broadcast and Communications Products. Broadcast and Television Equipment Instructions., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Solderless Connectors and Associated Tools, Broadcast and Communications Products. Broadcast and Television Equipment Instructions. This instruction book covers the application and proper usage of hand tools that are necessary to prepare wiring for AMP-LEAF Printed Circuit Edge Connectors, and the wiring of Coaxial cable connections used in conjunction with the connectors. This binder includes instruction on the following modules: Synchronizer (MI-557788, Sync and MI-557788-A2, Sync-2), Driver (MI557780), Regenerator (MI-557795), Bar Generator (MI-557778), Monitor (MI-557784), Deflection (MI-557786, DEFL and MI-557786-B1, DEFL B), Level (MI-557777-A1, Level and MI-557777-A2, Level 2), Input Amplifier and Preamplifier (MI-557791, Preamp and MI-557791-C, Preamp C), Pulse (MI-557787, Pulse (Section I) and MI-557787-A2, Pulse 2 (Section II)), Vidicon Filament Power Supply (MI-557774), Transitional (MI-557773), Power Supply "B" (MI-557775), Detector (MI-557783), Processor (MI-557789, Proc. and MI-557789-A2, Proc. 2), Blanker (MI-557794, Blanker and MI-557794-A2, Blanker 2), Control (MI-557772), Local Control Panels (MI-557797, Control and MI-557797-B1/557800, Control B), Indicator Panels (MI-557796, Indicator and MI-557796-B1/557803, Indicator B), and Remote Control Panels (MI-557202, Remote Control, MI-557202-B1, Remote Control B, and MI-557203, Remote Control). Most include schematics and block diagrams.
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RCA, Radio Corporation of America (RCA). Commercial Electronic System Division. Operator Manual: Type PK-501 TV Camera., Radio Corporation of America (RCA)., Burbank, CA
Summary: Radio Corporation of America (RCA). Commercial Electronic System Division. Operator Manual: Type PK-501 TV Camera. Technical Summary includes General, Picture Quality, Electrical, Environmental, and Mechanical. Table of Contents: Description, Installation and Operation, Circuit Descriptions and Schematics, Maintenance Procedures, Parts List, and Supplements (Weatherproofing Kit, Pulse Drive Kit, and Reference Crystal Oscillator). The RCA PK-501 TV Surveillance camera is a compact, self-contained unit which includes its own power supply and is completely transistorized except for the Video pickup tube which is an RCA Type 4478 Vidicon.
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RCA, Radio Corporation of America (RCA). Commercial Electronic Systems. RCA Professional Television. Operator Manual: Type PK-701 Single Vidicon Color Camera. MI-599090, MI-599091., Radio Corporation of America (RCA)., Burbank, CA
Summary: Radio Corporation of America (RCA). Commercial Electronic Systems. RCA Professional Television. Operator Manual: Type PK-701 Single Vidicon Color Camera. MI-599090, MI-599091. Table of Contents: General Description, Installation and Setup, Operation, Circuit Description, and Maintenance. List of Illustrations: PK-701 Camera Head, PK-701 Terminal Electronics, 11 under General Description, 16 under Installation and Setup, 2 under Operation, 29 under Circuit Description, and 9 under Maintenance. The final pages of this handbook hold a Parts List with details covering Symbol, Stick No., Drawing No., and Description.
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RCA, Radio Corporation of America (RCA). Commercial Electronic Systems. Broadcast Television Equipment. Instructions: Regulated Power Supply, WP-15A, MI-26087-A/MI-26088-A., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Commercial Electronic Systems. Broadcast Television Equipment. Instructions: Regulated Power Supply, WP-15A, MI-26087-A/MI-26088-A. Page 1: First Aid information with diagrams. Technical Summary includes Electrical Specifications, Abient Temperature, Mechanical Specifications, and Tube Complement. Other sections of this manual follow: Equipment, Description, Installation, Connections, Interlock Circuits, Operation, and Maintenance. Tables include MI-26087A Rectifier Assembly and MI-26088A Regulator Chassis. The final pages of this manual contain schematics for this device.
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RCA, Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-4A Pulse Distribution Amplifier, MI-26158., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-4A Pulse Distribution Amplifier, MI-26158. Table of Contents: Technical Summary, Equipment, Recommended Test Equipment, Description, Installation, Operation, Maintenance, and Parts List. List of Illustrations: Oscilloscope Patterns, Regenerated Horizontal Drive Pulses, TA-4A Pulse Distribution Amplifier (front and rear view), and Schematic Diagram for the TA-4A Pulse Distribution Amplifier.
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RCA, Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-3B Video Distribution Amplifier, MI-26157-B., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-3B Video Distribution Amplifier, MI-26157-B. Table of Contents: Technical Summary, Equipment, Optional Equipment, Recommended Test Equipment, Description, Installation, Operation, Maintenance, and Parts List. List of Illustrations: Schematic Diagram, Peak-to-peak Crystal Detector, Video Distribution Amplifier (front and rear view), and Schematic Diagram for the Video Distribution Amplifier.
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RCA, Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-3C Video Distribution Amplifier, MI-26157-C., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Industrial Electronic Products. Broadcast and Television Equipment. Instructions: Type TA-3C Video Distribution Amplifier, MI-26157-C. Table of Contents: Technical Summary, Equipment, Tube Compliment, Optional Equipment, Recommended Test Equipment, Description, Installation, Operation, Maintenance, and Parts List. List of Illustrations: Schematic Diagram, Peak-to-peak Crystal Detector, TA-3C Amplifier (front and rear view), and Schematic Diagram for the TA-3C Amplifier.
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RCA, Radio Corporation of America (RCA). Commercial Electronic Products. Broadcast Television Equipment. Instructions: WP-15A Regulated Power Supply, MI-26087-A/MI-26088-A., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Commercial Electronic Products. Broadcast Television Equipment. Instructions: WP-15A Regulated Power Supply, MI-26087-A/MI-26088-A. Table of Contents: Technical Summary, Equipment, Description, Installation, Connections, Interlock Circuits, Operation, and Maintenance. List of Illustrations: WP-15A Regulator Chassis (front view), WP-15A Rectifier Chassis (front view), Rectifier Chassis (left oblique rear view), Regulator Chassis (right oblique rear view), Voltage Regulator Circuit (simplified schematic diagram), Layout of Rack with WP-15A Regulated Power Supplies only, Modification Diagram Relay Rack Top, Curve, Maximum Permissible Difference between Unregulated and Regulated Voltages, Curve of Regulation of Unregulated Output Voltage for a Typical Unit, Power Consumption of a Typical Unit Showing Input Watts versus Regulated Load Current, Efficiency versus Load Current for a Typical Unit, Capacitor Discharge Time for a Typical Unit, Methods of Interlocking a WP-15A to a +280 Volt Reference Voltage, Schematic Diagrams (Rectifier and Regulator Circuits). List of Tables: Using the MI-21200-C1 Meter, Fuse Replacement, Voltage Measurements to Chassis Ground, Tube Socket Resistance Measurements To Chassis Ground, Transformer and Choke Resistance Measurements.
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RCA, Radio Corporation of America (RCA). Engineering Products Division. Instructions: Type TA-3A Video Distribution Amplifier, MI-26157-A., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Engineering Products Division. Instructions: Type TA-3A Video Distribution Amplifier, MI-26157-A. Table of Contents: Technical Summary, Equipment, Recommended Test Equipment, Description, Installation, Operation, Maintenance, and Parts List. List of Illustrations: Schematic Diagram, Peak-to-Peak Crystal Detector, TA-3A Video Distribution Amplifier (front and rear view), and Schematic Diagram for the TA-3A Video Distribution Amplifier.
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RCA, Radio Corporation of America (RCA). Broadcast Television Equipment. Industrial Electronic Products. Instructions: WP-15B Regulated Power Supply, MI-26087-B/MI-26088-B., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Broadcast Television Equipment. Industrial Electronic Products. Instructions: WP-15B Regulated Power Supply, MI-26087-B/MI-26088-B. Inside cover: Two B&W photographs (WP-15B Regulator Chassis- front view, and WP-15B Rectifier Chassis- front view with CR101 Cover removed. Sections of this manual include Technical Summary, Equipment, Description, Installation, Connections, Interlock Circuits, Operation, and Maintenance. Other diagrams aid textual booklet instructions including 2 schematic diagrams found on the final pages.
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RCA, Radio Corporation of America (RCA). Consumer Electronics, Technical Publications. Video Camera Service Data: Models BW003, BW004., Radio Corporation of America (RCA)., Indianapolis, IN
Summary: Radio Corporation of America (RCA). Consumer Electronics, Technical Publications. Video Camera Service Data: Models BW003, BW004. Front page: Small 3-D B&W photograph of camera, Safety Caution, Specifications, Service Data Contents, and Power Supply. Page 3: General Description and Major Operating Components. The BW003 and BW004 Video Camera's use a vidicon pick-up tube and video amplifier system to generate a 1.0V p-p negative-sync video signal into a 75-ohm load. Other sections with and without diagrams include Camera Disassembly and Circuit Board Removal, Power Supply Disassembly and Circuit Board Removal, Service Adjustments, Coil Assembly Replacement, Vidicon Replacement and Adjustments. These sections are followed by a diagram of Location of Parts and Controls, Circuit Board Assemblies, a Schematic Diagram of Power Supply, and the Camera Schematic Diagram. Sections and diagrams on the final pages of this manual follow: Service Check Chart, Circuit Description, Power Supply Exploded View, Simplified Block Diagram, Basing Diagrams, and Replacement Parts.
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RCA, Radio Corporation of America (RCA). Video Tape Recorder for Color-Monochrome Operation., Radio Corporation of America (RCA)., Indianapolis, IN
Summary: Radio Corporation of America (RCA). Video Tape Recorder for Color-Monochrome Operation. Cover: This laminated booklet employs 2 orange cross sections as reels of a videocassette. The orange theme is carried throughout this information guide. Introduction... The RCA Video Tape Recorder. Sections include Applications, Features, What it is, and How it Works (Recording and Playback). On page 4 there is a realistic artist's rendering of the device. Page 6: a Simplified Diagram of RCA Video Tape Recorder. Inside Back Cover: Preliminary Specifications: Electrical and Mechanical. Back cover: RCA Regional Offices.
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RCA, Radio Corporation of America (RCA). Broadcast and Television Equipment. Industrial Electronic Products. Instructions: TM-21D Color Monitor, MI-40226-D., Radio Corporation of America (RCA)., Camden, NJ
Summary: Radio Corporation of America (RCA). Broadcast and Television Equipment. Industrial Electronic Products. Instructions: TM-21D Color Monitor, MI-40226-D. Table of Contents: Technical Data, Tube Complement, Recommended Test Equipment, Description, General Decoder Theory, Decoder Circuit Detailed Description, 3 Channel Video Amplifier, Deflection and HV, Power Supply, Convergence, Kinescope Filament Regulator Circuit Description, Installation, Front Panel Controls, Setup, Operation, Kinescope, Alignment, Maintenance, Replacement Parts List. List of Illustrations: TM-21D Color Monitor, Block Diagrams (TM-21D Color Monitor, General Decoder Theory, 3 Channel Video Amplifier Alignment Test Equipment Setup (preferred and alternate methods), 3 Channel Video Amplifier, Decoder, Deflection and HV, Power Supply), Rear Quarter View, TM-21D Color Monitor Top and Side Cover Panels Removed, Functional Diagram (Brightness Pulse), Tube Side (Decoder Chassis, 3 Channel Video Amplifier Chassis, Deflection and HV Chassis, Power Supply Chassis), Simplified Schematic Diagram (Decoder Demodulators), Waveforms (Decoder Demodulators), Control Side (Convergence Chassis), Front Panel Control Section and Convergence Chassis, Positioning Kinescope Accessories, Front Quarter View (Kinescope Section Lowered), Blue Lateral Magnet and Convergence Magnet Locations, Alignment Waveforms (3 Channel Video Amplifier, Decoder, and Deflection and HV), Wire Side (3 Channel Video Amplifier Chassis, Decoder Chassis, Deflection and HV Chassis, Power Supply Chassis, Convergence Chassis), Typical Waveforms (3 Channel Video Amplifier, Decoder, and Deflection and HV), Kinescope Filament Voltage Regulation Waveforms, Schematic Diagrams (3 Channel Video Amplifier, Deflection and HV, Decoder, Power Supply and Convergence) and an Interconnection Diagram.
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RCA, Radio Corporation of America (RCA). Large Monitor, Figure 55. Schematic Diagram, Power Supply., Radio Corporation of America (RCA).
Summary: Radio Corporation of America (RCA). Large Monitor, Figure 55. Schematic Diagram, Power Supply.
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RCA, Radio Corporation of America (RCA). Operating Instructions: Video Camera BW003., Radio Corporation of America (RCA)., Japan
Summary: Radio Corporation of America (RCA). Operating Instructions: Video Camera BW003. Contents include General Information, Features, General Care and Precautions, Major Operating Components and their Functions, Cables, Connection Diagram, Operating Procedures, Mounting the camera on a tripod, Lighting, Standard Accessories, Specifications, Warranty Registration, and Warranty.
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RCA, Radio Corporation of America (RCA). RCA Victor. CTC25X: Preliminary Schematic for Service Technicians Only., Radio Corporation of America (RCA)., USA.
Summary: Radio Corporation of America (RCA). RCA Victor. CTC25X: Preliminary Schematic for Service Technicians Only. Complete Service Data is Available Through RCA Victor Distributors in Principal Cities.
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RCA, Radio Corporation of America (RCA). RCA Victor. CTC 9: Preliminary Schematic for Service Technicians Only., Radio Corporation of America (RCA)., USA.
Summary: Radio Corporation of America (RCA). RCA Victor. CTC 9: Preliminary Schematic for Service Technicians Only. Refer to RCA Service Data for Service Information.
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RCA, Radio Corporation of America (RCA). RCA Victor. Color Television Receiver, Model CT-100 (Chassis No. CTC2, Manufacture No. 274): Service Data. 1954, No. T3., Radio Corporation of America (RCA)., Camden, NJ, 1954
Summary: Radio Corporation of America (RCA). RCA Victor. Color Television Receiver, Model CT-100 (Chassis No. CTC2, Manufacture No. 274): Service Data. 1954, No. T3. Cover: B&W photograph of television receiver, General Description, and Electrical and Mechanical Specifications. Sections of this manual include Circuit Description, Installation Instructions, Test Equipment, Alignment Procedure, and Replacement Parts. Illustrations and charts include Chassis Diagrams (top and bottom view), Alignment Data (Top and bottom Chassis Adjustments), Voltage Chart, Tuner Schematic (KRK12C), and Chassis Circuit Schematic Diagram.
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RCA, Radio Corporation of America (RCA). Electronic Components & Devices. Field Service Guide, Volume 2: RCA Color TV Receivers., Radio Corporation of America (RCA)., Camden, NJ, 1967
Summary: Radio Corporation of America (RCA). Field Service Guide, Volume 2: RCA Color TV Receivers. Features: Field Service Adjustments (CTC-20 through CTC-35), Top and Rear Chassis Views, Schematic Diagrams, Parts Lists, Voltage Waveforms Keyed to Test Points, Separate Section on Tuner Schematics, Field Service Tips, and a Comprehensive Index of Model Number, Model Name, and Chassis Number.
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RCA Commercial Electronic Systems, Type PK-730A Single Vidicon Color Camera, RCA Commercial Electronic Systems, Burbank, CA
Summary: Type PK-730A Single Vidicon Color Camera Camera Head #MI-599034, 599035, 599036. Red Binder includes General Description, Installation and Setup, Operation, Circuit Description, Maintenance. Illustrated, Schematics, Parts List, addenda. Also includes technical exploded diagram of "Lens Adapter Kit (Nikkor)".
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RCA Commercial Electronic Systems, Type TA-19B Processing Amplifier System NTSC, RCA Commercial Electronic Systems, Camden, NJ, 1972
Summary: Type TA-19B Processing Amplifier System NTSC. Illustrated with photographs, schematics, drawings. Includes System, Addendum, Solderless Connectors, Control Module, Blanking Regenerator, Sync Regenerator, Video Process, Pulse Gate, Video In/Out, WP-87 Power Supply, Burst Regenerator, AGC Module.
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Real Time Design, Inc., DATAMAX UV-1 Zgrass GLOSSARY & Zgrass LESSONS., Real Time Design, Inc., Chicago, IL, October 27, 1981
Summary: DATAMAX UV-1 Zgrass GLOSSARY & Zgrass LESSONS. Approx. 200 page copy. Includes listings of RESIDENT Zgrass COMMANDS & FUNCTIONS, SWAP COMMANDS and SWAP FUNCTIONS, and an INDEX OF BUZZWORDS & IDIOSYNCRASIES.
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Rebouf, R., "Nam June Paik: Historical Juxtapositions ", Artweek, Vol. 13, No. 2, 1982
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Rees, A.L., A History of Experimental Film and Video, British Film Inst, 1999
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Reese Publishing Company, "various", Video: The #1 Magazine of Home Video. , Vol. 3, No. 4, March 1980
Summary: Forum on Future Media, Guide to Video Cameras. Cover: Video Art, an example of what you can create. Articles follow: Video-Still Photography Frozen Moments in Time by Laurence Gartel, TVs that Talk Back to You by Steve Poe, Anti-Clock : A Video Movie, Video Cameras: Color Them Portable, How to Make Your TV Sound Better by Martin Polon, Forum on Future Media, The Video Environment: Multi-Media Entertainment by Positive Media Paul, How Networks Cut Movies by Charlen Komar, A Museum for Vintage Video by Joyce Worley, and Video Programming Guide, editied by Ken Winslow. The periodical also includes advertisments and several columns.
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Reeves, Daniel, I am not so sure I know what I am doing anymore with this work..., unpublished manuscript, 1997
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Reichardt, Jasia, Ed., Cybernetic Serendipity: The Computer and the Arts, Praeger, New York, 1969
Summary: Computer and music, dance, environments, texts, paintings, film, and computer graphics. Texts on Norbert Wiener, art works by Paik, Stockhausen, John Cage, Charles Csuir, Lejaren Hiller and others.
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Reichardt, Jasia, Cybernetic Serendipity: The Computer and the Arts, Studio International and Frederick Praeger, NY, 1969
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Reid, T. L., "Constructing Eternity: An Interview with Van McElwee", Afterimage., Vol. Vol. 28, No. No. 1, July- August 2000
Summary: Interview of Van McElwee by T.L. Reid
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Reidy, Robin, "Pop Pop Video ", American Film , January/February 1980
Summary: Dara Birnbaum
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Reilly, James M., Douglas Nishimura, Edward Zinn , New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections, Image Permanence Institute, Rochester Institute of Technology., Rochester, NY, 1995
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Reilly, John, Stefan Moore., "The Making of the Irish Tapes ", Filmmakers Newsletter, Vol. December, 1975
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Reilly, John, Fourth Annual Video and Television Documentary Festival, Global Village, NY, NY, 1978
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Reilly, John, The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy, Rockefeller Foundation, NY, NY, 1979
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Reinke, Klaus, "Video Artists ", Studio Internatinal, No. 183, February 1972
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Renov , Michael, Erika Suderburg, Eds., Resolutions : Contemporary Video Practices, University of Minnesota Press, 1996
Summary: Explores the state of the art, practice, and theory of video. Contributors: Rosanna Albertini, U of Pisa; Raymond Bellour, Centre National de la Recherche Scientifique; John Belton, Rutgers U; Gregg Bordowitz, Banff Center for the Arts; Ron Burnett, McGill U; Jacques Derrida, Ecole des Hautes Etudes en Sciences Sociales; Sara Diamond, Banff Center for the Arts; Monica Frota; Bill Horrigan, Wexner Center for the Visual Arts; David E. James, USC; Laura Kipnis, Northwestern U; Tetsuo Kogawa, Tokyo Keizai U; Judith Mayne, Ohio State U; James Moran, USC; Michael Nash, INSCAPE; Chon Noriega, UCLA; Bérénice Reynaud, California Institute of the Arts; Marlon Riggs; Marita Sturken, UC, San Diego; Christine Tamblyn, San Francisco State U; Maureen Turim, U of Florida; Patricia Zimmermann, Ithaca College.
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Renzio, Toni del, "The TV Aesthetic", Art and Artists, Vol. 9, No. 8, 1974
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Restany, Pierre, "The Videomonster: The Immense and Fragile Hope of Popular Art ", Domus, June 1975
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Rheingold, Howard, Virtual Reality: The Revolutionary Technology of COmputer-Generated Artificial Worlds - and How It Promises to Transform Society, Touchstone, NY, 1991
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Rhizome, Rhizome ArtBase Management Policy, Rhizome, NY, NY, 2002
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Rhodes, Gabe, "Squeaky Wheel Celebrates Ten Years", MAIN, Nov./Dec. 1996
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Rhodes, Charles W., FCC guidelines as of the First Order and Report of March 17, 1971, Docket 1842, Tektronix., Beavertown, OR, 1972
Summary: This article briefly touches upon new FCC guidelines as of the First Order and Report of March 17, 1971, Docket 18425. A reproduction, the booklet contains guidelines for the new composite test signal also drawn by vectorscopes, a section on the color bars and test signals for monochrome transmissions, and the modified multiburst. Other sections include checking up on the STL, the demodulator, the radio path, and the future. Midway through the booklet find a photograph of the equipment and author.
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Rice, Shelley, "Conjunctions: The Video Installations of Lauren Ewing ", Afterimage, Vol. 11, No. 1/2, Summer 1983
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Rice, Shelley, "Francesc Torres: The Tyranny of the Past ", Afterimage, Vol. 10, No. 15, December 1982
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Rice, Shelley, "Mary Lucier ", Woman's Art Journal, Fall/Winter 1984-1985
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Rice, Shelley, "Mythic Space: The Video Installations of Rita Myers ", Afterimage, Vol. 9, No. 6, January 1982
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Rice, Shelley, "Video Installation 1983 ", Afterimage, Vol. 11, No. 9, December 1983
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Rice, D. Lloyd, Cooper, Computalker Model CT-1 Speech Synthesizer, Computalker Consultants, Sant Monica, CA, 1976
Summary: Computalker Model CT-1 Speech Synthesizer Product Sales Sheet , illustrated with photographs, prices, chart, price list, and narrative text. J.L. Cooper went on to form Audio company of the same name. Additional info found at: http://www.mindspring.com/~ssshp/ssshp_cd/ss_com.htm. see also Smithsonian Speech Synthesis History Project.
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Rice, Shelley, "Video Installation 1983: November 5 - December 2", Afterimage, Vol. Special Supplement, 1983
Summary: Catalog of installations for Visual Studies Workshop, including works by Barbara Buckner, Tony Conrad, Doug Hall, Margia Kramer and Sill Stephens.
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Rifkin, Ned, Stay Tuned, The New Museum, NY, 1981
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Rifkin, Jeremy, The Biotech Century: Harnessing the Gene and Remaking the World, J P Tarcher, 1999
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Riley, Robert, Marita Sturken, Steina and Woody Vasulka: Machine Media, San Francisco Museum of Modern Art, San Francisco, CA, 1996
Organization: San Francisco Museum of Modern Art
Exhibition Site: San Francisco Museum of Modern Art
Exhibition Date: February 2 - March 31, 1996
Artists: Steina Vasulka, Woody Vasulka
Summary: Articles on Installations (Robert Riley), Videotapes (Marita Sturken), and essays by Sturken, Maureen Turim and Woody Vasulka. Biographies. Videography. Exhibition history.
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Rinder, Lawrence, Ehrenkranz, Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004., Whitney Museum of American Art, New York, NY, 2003
Organization: Whitney Museum of American Art
Exhibition Site: Whitney Museum of American Art
Exhibition Date: December 11,2003-February 22, 2004
Curators: Lawrence Rinder, Anne and Joel Ehrenkranz
Artist: Irit Batsry
Summary: Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004. Program notes includes artist's biography and curators' essay.
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Rinehart, Richard , "Preserving the Rhizome ArtBase ", Rhizome, 2002
Summary: preservation strategies for new media and net art
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Rinehart, Richard, Preserving the Rhizome ArtBase, Rhizome, NY, NY, 2002
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Robertson, Clive, Lisa Steele, Eds. , "selected articles", FUSE: The Cultural Media and News Magazine, Vol. 4, No. 4, May 1980
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Robertson, Clive, Lisa Steele, Eds. , "The Story Behind Organized Art", FUSE: The Cultural Media and News Magazine, Vol. 4, No. 6, November 1980
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Robinson, Richard, The Video Primer: Equipment, Production and Concepts, Links Books, New York, NY, 1974
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Robinson, Richard, The Video Primer: Equipment, Production and Concepts, Links Books, NY, 1974
Summary: Technical descriptions of how video works.
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Robinson, Richard, Lisa Robinson, Danny Goldberg, Eds., "various articles", Magnetoscope, No. 3, July August 1972
Summary: European Video Report, Interview with Paul Morrissey
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Rochester Film & Photo Consortium, "various", Occasional Papers, No. 2, 1989
Summary: Rochester Film & Photo Consortium Occasional Papers, No. 2, January 1989. The Pictures are a Necessity: Robert Frank in Rochester, NY, November 1988. Contents follow: Introduction and Acknowledgments by William S. Johnson, The Historical Context of The Americans: The Political Limits of Cultural Criticism by Tina Olsin Lent, Robert Frank's Apple Pie by Susan E. Cohen, Souvenirs by William S. Johnson, "History- His Story" by William S. Johnson, "Daddy Looking for the Truth," or Authorial Power and Despair: The Films of Robert Frank by Jan-Christopher Horak, Weekend Discussions: Saturday, November 5th and Sunday, November 6th, 1988, Selected Bibliography, Filmography, and Exhibition Chronology 1946-1985 by Stuart R. Alexander, Addendum to the Bibliography, 1985-1988 by Stuart R. Alexander.
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Rockefeller Foundation, Independent Television-makers and Public Communications Policy, The Rockefeller Foundation, New York, NY, 1979
Summary: Working Papers on independents and the system and on legislation. Presented June 6-8, 1979.
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Rockefeller Foundation Arts Program, Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Case for a Center for Independent Television., Rockefeller Foundation Arts Program, New York, New York, 1979
Summary: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's". Sponsored by the Rockefeller Foundation Arts Program. Dee Dee Halleck; Alan Jacobs; Carnegie Commission on the Future of Public Broadcasting; Nam June Paik; Jose Luis Ruiz; Charles Allen; James Day; H.S. Dordick; Henry Goldberg; John Reilly; Warrington Hudlin and George Cunningham; Nick DeMartino. June 6, 7 and 8, 1979
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Rod., Harpo Description and Operating Instructions, 2/21/79
Summary: Harpo Description and Operating Instructions. Computer Printout. "The basic idea with HARPO was to allow someone with only a marginal knowledge of computer concepts to control video effects in an accurate, fast, and repeatable manner. In reality the user probably either needs much coaching or much knowledge of computer concepts to succeed. The video effects are created by sequence of control voltages applied at specified timed intervals to video hardware through digital to analog converters (DACs). Digital control signals can also be specified, to control things like switchers. HARPO also can sample the analog world and store what it finds there, for later use."
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Rod., Davis, Harpo Description and Operating Instructions with additional notes and subroutines, 7/79
Summary: Harpo Description and Operating Instructions. Computer Printouts and notes, includes note from Tom DeFanti on Hocking System.
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Roland, Roland. MicroComposer MC-202 Synthesizer., Roland., 1983
Summary: Roland. MicroComposer MC-202 Synthesizer. Inside cover: B&W photograph of panel controls and Introduction: The functions for sound synthesizing of the MC-202 is the same as that of the usual Monophonic synthesizer (1V/Oct). So we do not explain synthesizer basics here. Contents include Functions for Sound Synthesizing (VCO, Pulse Width, Source Mixer, Waveform, VCF, Cutoff Frequency, Resonace, VCA, ENV, Envelope Curve, LFO, Portament, Accent), Sample Sound, and a Sound Synthesis Memo.
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Roland, Roland. MicroComposer MC-202: Owner's Manual., Roland., 1983
Summary: Roland. MicroComposer MC-202: Owner's Manual. Cover: B&W photograph of panel controls. Inside, sections include Features, Important Notes, Introduction, Panel Description and Connections, Entering data (Basic), Entering Data (Advance), Useful functions by bars, Saving the Music Data, Sound Range Diagram, In Case of Trouble, Specifications, and Options.
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Rorty, Richard, "Deconstruction and Circumvention", Critical Inquiry , Vol. 11, No. 1, September 1984
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Rose, Barbara, "Switch On Art ", New York Magazine, December 20, 1971
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Rose, Brian, "The Future of Cultural Programming", Videography, Vol. 11, No. 5, May 1986
Summary: PBS
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Rosebush, Judson, Ed., Videa 'n' Videology: Nam June Paik (1959-1973), Everson Museum of Art, Syracuse, NY, 1974
Organization: Everson Museum of Art
Exhibition Site: Everson Museum of Art and Galeria Bonino, NYC
Summary: Forward by James Harithas; reprints of Paik letters, notes, essays; photos.
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Rosebush, Judson, Ed., Everson Video 1975, Everson Museum of Art, Syracuse, NY, 1976
Summary: Ant Farm; Community Video/CAST; David Cort; Dance Media; Dimitri Devyatkin; Electron Movers; Dieter Froese; Beryl Korot; Shigeko Kubota; Andy Mann; Paul Ott and Fred Kessler; Peter Van Riper; Bill Viola.
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Rosebush, Judson, Ed., Frank Gillette: Video: Process and Meta-Process, Everson Museum, Syracuse, NY, 1973
Summary: Organized by Jim Harithas; coordinated by Sandra Trop Blumberg and David Ross.
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Rosebush, Judson, Ed., Everson Video 75, Everson Museum of Art, Syracuse, NY, 1975
Organization: Everson Museum of Art
Exhibition Site: Everson Museum of Art; Museum of Contemporary Art, Chicago; University Art Gallery, Berkeley; Museum of Contemporary Art, LaJolla
Curator: Richard Simmons
Summary: Preface. Catalog edited by Judson Rosebush. Works by Ant Farm, CAST, David Cort, Dance Media, Dimitri Devyatkin, Dieter Frose, Electron Movers, Beryl Korot, Shigeko Kubota, Andy Mann, Paul Ott and Fred Kessler, Peter Van Riper and Bill Viola.
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Rosebush, Jud, Interview with Jud Yalkut, c. 1975
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Roseman, Curt, "Videotape: Video Design and Modification", Filmmakers Newsletter , June 1977
Summary: George Brown
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Roseman, Curt, "Video Design and Modification: George Brown", Filmmakers Newsletter, Vol. 47, June 1977
Summary: Brown's personal designs include a digital colorizer, George Brown Keyer, matrix switcher and modifications to existing video quipment.
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Rosen, Nancy, Artpark 1977. The Program in Visual Arts., Lewiston, NY, 1977
Organization: Artpark
Exhibition Site: Lewiston, NY
Summary: Electron Movers installations in Artpark.
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Rosenbach, Ulrike, Videokunst Foto Action/Performance Femistische Kunst. In German., Selbstverlag, Cologne, 1982
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Rosenberg, Bernard, David M. White, Eds., Mass Culture: The Popular Arts in America, The Free Press, 1957
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Rosenberg, Harold, The De-definition of Art. New York, Horizon Press, NY, 1972
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Rosler, Martha, Shedding the Utopian Moment - in Illuminating Video by Doug Hall and Sally Jo Fifer (eds)., Aperature, NY, NY, 1990
Summary: A text by Martha Rosler in Illuminating Video (Hall and Fifer).
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Ross, David, "Paik Gillette Downey: Process and Ritual", Artscanada: The Issue of Video Art, Vol. XXX, No. 4, October 1973
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Ross, David, "The Success of the Failure of Video Art", Videography, Vol. 10, No. 5, May 1985
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Ross, David, Work from the Experimental Television Center: Introduction and Daily Performance Schedule, Everson Museum of Art, Syracuse, NY, 1972
Organization: Everson Museum of Art
Exhibition Site: Everson Museum of Art
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Ross, David, "A Provisional Overview of Artists' Television in the United States", Studio International , No. 191, May/June 1976
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Ross, David, "Bay Area Video", Video 80, Vol. 1, No. 1, 1980
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Ross, David, "Douglas Davis", Flash Art , May 1975
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Ross, David, "Douglas Davis: Video Against Video ", Arts Magazine , Vol. 49, No. 4, December 1974
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Ross, David, "Video at the Museum ", Art Rite, No. 7, Fall 1974
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Ross, David A., Americans in Florence: Europeans in Florence, Centro Di and Long Beach Museum of Art , Florence, 1975
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Ross, David A, Southland Video Anthology: 1976-77 , Long Beach Museum of Art, Long Beach, CA, 1976
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Ross, David A, Douglas Davis: Events Drawings Objects Videotapes, Everson Museum of Art, Syracuse, NY, 1972
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Ross, David A, Peter Campus, Everson Museum of Art, , Syracuse, NY, 1974
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Ross, Mary, Pioneers of Digital Photography, Open Space Gallery, Allentown, PA, 1998
Organization: Open Space Gallery
Curator: Mary Ross
Summary: essay on historical development of digital photography
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Ross, David A.
Summary: Work from Experimental Television Center Binghamton, NY. Sept. 19 to Oct. 2, 1972. The artist is not ahead of his time, he is in it. The consumer is living in the past. Video breaks down that gap"- a quote from Mike Goldberg, Intermedia, Vancouver followed by a second introduction by David A. Ross, Curator of Video Arts.
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Ross, David, David Ross: The Success of the Failure of Video. , ETC, October 16, 1998
Summary: David Ross: The Success of the Failure of Video. A presentation by Ross at the Video History: Making Connections Conference (October 16-18, 1998) at Syracuse University, and organized by the Experimental Television Center. Widely known as a champion of contemporary art, David Ross began his career as the worldís first video curator at the Everson Museum of Art in Syracuse, where he organized pioneering media exhibitions by such groups as Raindance, the VideoFreex, the Experimental Television Center, and by such artists as Frank Gillette, Shigeko Kubota and Nam June Paik. He then served at the Long Beach Museum of Art and the University Art Museum in Berkeley where he was Chief Curator. While Director of Bostonís Institute of Contemporary Art, he co-founded the Contemporary Art Television Fund and taught at Harvard University. From 1991 until 1998 he was Director of the Whitney Museum of American Art, where he recently curated with Peter Sellars a major retrospective of the work of Bill Viola. Ross is presently Director of the San Francisco Museum of Modern Art. David Ross will address a joint audience of the Video History Project and the Common Ground conferences. This event is co-sponsored by the Experimental Television Center, the New York State Alliance for Arts Education, and with corporate support from VidiPax.
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Ross, David, Letter from David Ross of the Everson Museum to Experimental Television Center, 1972
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Ross, David, Letter from Joan Jonas to Experimental Television Center, 1972
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Ross, David
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Ross, David, Information about the Circuit exhibition, organized by Ross for the Everson Museum. March 1, 1974, 1974
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Rossman, Michael
Summary: References the Community Memory: A Public Information Network text and project.
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Roth, Cliff, The Low Budget Video Bible. Revised Second Edition, Desktop Video Systems, New York, NY, 1995
Summary: Technical information on equipment operation, purchase; editing; lighting and new media opportunities
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Royal Film Archive of Belgium, Exprmntl 5: Fifth International Experimental Film Competition , The Royal Film Archive of Belgium, Brussels, Belgium, 1974-75
Summary: Catalog and program. Video environments by Walter Wright (Experimental Television Center); Woody and Steina Vasulka ( University of Buffalo); David Cort; Tom DeWittTony Conrad. Catalog essay by Seth Feldman; catalog prepared by Media Study/Buffalo.
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Rubin, Karen, "Binghamton: Video World Hollywood", Pipe Dream, March 1, 1972
Summary: Profile of Experimental Television Center
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Rudolph, Hank, Studio Notes: Experimental Television Center, 1999, 2001
Summary: Studio Notes: Experimental Television Center. Contents: Types of Signals/ Types of Audio Sources and Methods of Processing/ MIDI Devices, Types of Video Sources and Methods of Processing, Parameters of the Video Signal, Video Routing System: Matrix Switcher/ Patch Bay/ Sample Patch, Sample Video Patch Flow Chart, Audio Patch Bays with Sample Patch, Sample Audio Patch Flow Chart, Keyers 1 and 2: Set-up and Front Panel, Colorizer Set-up, Eight channel Sequencer: Set-up, Features and Front Panel, Designlab Frame Buffer: Bufpallette Menu, Set-up and Features, Miro Video Capture Board Set-up, Microtime DVE Menu, Microtime DVE Notes (Jonathon Rosembaum), +/ - 5 Volt Analog System: Applications/ Types of Modules/ Parameters of a Waveform, +/ - 5 V Modules: Voltage-Controllable Oscillators/ Sample and Hole Modules, "Yellow Boxes" Front Panels, Sample +/ - 5 V Signal Patch: Colorizer as Voltage-Controlled Mixer, Converting an Audio Signal into a Control Voltage, Oscillators as Video Signals, Korg MS-20 Audio Synthesizer Signal Flow Chart, Mirage Keyboard Sampler: Parameter Chart, and Partial Video Glossary (31 pages, 2 copies).
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Rudolph, Hank, Brewster, EIPS Patching Diagrams for ETC Studio (6 pages), Experimental Television Center, Owego, NY, 1980's
Summary: EIPS Patching Diagrams for ETC Studio hand-drawn of various modules in use at ETC up to the early to mid 1980's. Modules follow: 4 cameras, SONY Special Effects Generator (SEG), Jones Colorizer, Doron 990, Sony Studio, Portapak, and PAV5.
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Rudolph, Hank, ETC System Front Panels (2 copies), Experimental Television Center, Owego, NY, 1980's
Summary: ETC System Front Panels includes Matrix, Four Channel Colorizer, Keyer, Sequencer, Spatial/Intensity Digitizer, Output Amplifier, Oscillator, Mix/Invert/Amplify Module, Envelope, VCA.
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Ruiz, Jose Luis, The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy, Rockefeller Foundation, NY, NY, 1979
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Rungren, Todd , "A Conversation with Todd Rungren", Videography, Vol. 5, No. 4, April 1980
Summary: video studio in Woodstock
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Rush, Michael, New Media in Art (2nd Edition), Thames and Hudson, Inc, NY, NY, 2005
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Rush, Michael, Video Art, Thames and Hudson, NY, NY, 2003
Summary: "This book is the first detailed overview of an art form born less than forty years ago and now ubiquitous internationally. Made possible by the introduction of the Sony Portapak in 1965, video art has moved from brief showings on tiny screens in alternative art spaces to dominance in international exhibitions and artistic events, in which vast video installations sometimes occupy factory-size buildings or video projections take over the walls of an entire city block."
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Russell, John, "Views off Jewishness In Museum Video Show", New York Times, July 29, 1988
Summary: "This summer, the Jewish Museum has made its debut in the domain of video art. "Time and Memory: Video Art and Identity" is the general title of the show. Visitors to the museum will hear and see live canaries as a counterpoint to antiphonal readings from the diaries of Anne Frank and the confessions of a Chilean torturer. Schubert's early masterpiece "The Erl King" is sung and played fortissimo on tape while visitors are given the chance to summon at will a wide range of related images on the screen. This visitor had to miss Bart Friedman's "Harold's Bar Mitzvah" (1977), which has been giving great pleasure. (I also missed part of Beryl Korot's "Dachau 1974" (1975), which I had seen more than once when it first came out.) But Fred Riedel, the guest curator in charge of the show, rings any number of changes during its somewhat erratic course, and some of them have much to teach us.". Artists mentioned in the article include Barbara Rosenthal ["Women in the Camps" (1976-86) and "Leah Gluck: Victim of the Twins Experiments" (1986)], Bart Friedman, Beryl Korot, Fred Riedel, Pier Marton, Nam June Paik and Shigeko Kubota, Allen Ginsburg, Allan Kaprow, Pierre Restany, Juan Downey, Claude Lanzmann, Grahame Weinbren and Roberta Friedman.
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Rutt, Steve, Etra, Rutt Etra Schematics, 2007
Summary: These scans were done by those attending the Rutt Etra workshop in NYC in the Fall of 2007.
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Rutt, Steve, Jon Burris Interviews Steve Rutt, 1978
Summary: Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work within the context of video art history. The project included original research, including audio interviews and the creation of original informational and other texts, and the compilation of existing descriptive materials. An interview of Steve Rutt by Jon Burris.
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Rutt, Steve, Etra, Rutt/Etra Schematics, 1974
Summary: Assembly, component placement, diagrams.
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Rutt Electrophysics, Rutt/Etra Video Synthesizer Systems, Rutt Electrophysics, New York, NY, undated
Summary: Description of RE-4-A Video Synthesizer and RE-4-B Video Synthesizer. Distributed by MPCS Communications in NY. Includes a photo of the system modules.
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Rutt Electrophysics, Front Panel Diagram for Rutt/Etra Video Synthesizer, unknown, unknown
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Rutt Electrophysics, Rutt Etra User's Manual, Rutt Electrophysics, NY, NY, undated
Summary: Rutt Etra Video Synthesizer. User Manual. Schematics and technical documentation. Some documentation dated 1975. Letter from Jeff Schier to Barbara concerning the machine.
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Rutt Electrophysics, Text from a Sales Brochure
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Rutt Electrophysics, Sales Brochure for Rutt/Etra Systems
Summary: Price list and brief descriptions of RE-4 -A Video Synthesizer, Animation Control Modules and RE-4-B Video Synthesizer. Distributed by MPCS in NYC.
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Rutt Electrophysics, Rutt Etra Diagram, undated
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Rutt Electrophysics, Rutt Etra Model RE 4A and RE 4B Operator's Manual
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Ryan, Paul, Cybernetics of the Sacred, Anchor Books, Garden City, NY, 1974
Summary: Electric Grammars: Videotape and TV; Random Probes and Art Pieces; Cybernetic Guerilla Warfare: Information Economy; Cybernetics of the Sacred: Video Wake for my Father. Earthscore Foundation.
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Ryan, Paul, Video Mind, Earth Mind: Art, Communications and Ecology, Peter Lang, New York, 1993
Summary: Forward for educators by John Giancola, forward for art world by Frank Gillette. Earthscore Foundation.
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Ryan, Paul, "Videotape. Thinking About a Medium ", Media and Method , (December 1968).
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Ryan, Paul, "Video Journey Through Utopia", Afterimage, November 1999
Summary: The founder of the Raindance video collective, artist Frank Gillette, in a public statement in 1991, distinguished between the Fluxus current and the utopian current in video history. http://www.findarticles.com/p/articles/mi_m2479/is_3_27/ai_58470196
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