Afterimage at Visual Studies Workshop, A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1., 2002 |
Agnes Etherington Art Centre, Queens Univeristy., Transcript from The International Video Art Symposium., 1979 |
Merrill Aldighieri, Confessions of a Pixil-Picker, 2004 |
Charles R. Allen, Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. , 1979 |
Amoeba Technology / Luciana Sanz, The Language of Video, undated |
Victor Ancona, Barbara Buckner: Psychic Poetry Exemplified |
Victor Ancona, Nam June Paik: Portrait of the Electronic Artist, 1976 |
Victor Ancona, Jazzing Up the Home Screen (Carol Goss), October 1979 |
Victor Ancona, Shalom Gorewitz: Metaphoric Image Manipulator, November 1980 |
Victor Ancona, Vibeke Sorensen: Demystifying Video Technology, February 1979 |
Victor Ancona, Visual Music, December 1983 |
Robert Arn, The Form and Sense of Video, October 1973 |
Paul Arthur, Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty, September/October 2004 |
S.C. Beck, Direct Video: An Electronic Artform for Color TV, undated |
Stephen Beck, Direct Video: Electronic Artform for Color Television, undated |
Michael Betancourt, Motion Perception in Movies and Painting: Towards a New Kinetic Art, 10/23/02 |
Kjell Bjorgeengen, Kjell Bjorgeengen: New Videoworks, 2004 |
Peer Bode, Bode videotapes 2003, 2003 |
Peer Bode, Kjell Bjorgeengen - True Blanking, 1998 |
Peer Bode, Kjell Bjorgeengen: Video Road, 1990 |
Peer Bode, Open Source, 2001 |
Peer Bode, Some Thoughts on Learning by Reading the Tools: Embodying the Time Image |
Peer Bode, UBER ORGAN ( body of life ) , 2003 |
Jean-Pierre Boyer, L'Image Electronique, 1974 |
Deirdre Boyle, From Portapak To Camcorder: A Brief History Of Guerrilla Television, Spring-Summer 1992 |
Deirdre Boyle, Subject to Change: Guerrilla Television Revisited, 1985 |
Bronx Museum, The Second Emerging Expression Biennial: The Artist and the Computer, 1987 |
Benjamin H.D. Buchloh, From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium, 1985 |
Barbara Buckner, Healing Interactions and Interactive Digital Art - News and Project Statement, 2001 |
Jon Burris, Did the Portapak Cause Video Art? Notes on the Formation of a New Medium , Fall 1996 |
Michael L. V. Butler, The Dreme-Style Michael L.V. Butler and His Circle . The Catalog, 1976 |
Michael L. V. Butler, The Dreme-Style Michael L.V. Butler and His Circle . The Program, 1976 |
Joel Cahn, Seeing Things: The Work of Ralph Hocking, 1972 |
Anna Canepa, Artist Contributors, 1974 |
Carnegie Commission on the Future of Public Broadcasting, A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Barbara Cavaliere, Concepts in Performance: Taka Iimura, June 28, 1979 |
Peter Chamberlain, G.R.I.D., 1986 |
Chris Chang, Discovery: Miranda July Renaissance Riot Grrrl, July/August 2000 |
Chris Chang, Trent Harris: Beaver Trilogy, July/August 2000 |
Daryl Chin, The Video Art of Takahiko Iimura, 1990 |
Daryl Chin, Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media , 1994 |
Cynthia Chris, Video art: dead or alive?, 1996 |
Dan Collins, Electronic Linguistics: Taka Iimura, Dec. 6, 1980 |
Tricia Collins, The New Sleep: Stasis and the Image-Bound Environment in Art Journal, 1985 |
Tony Conrad, 1 2 3 4: A Position Statement on Upstate Media Development, 1989 |
Tony Conrad, Lessons for Localism from the Censorship Wars, Fall 1991 |
Christian Cooper, Low-Cost Creativity, November 1986 |
Corcoran Gallery, Electronic Hokkadim, 1971 |
Bill Creston, Circle 8: International Forum of Super-8 Catalog, March 1988 |
Larry Cuba, An Introduction to Computer Animation |
Jeremy Culler, Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s, 2004 |
Ann Curran, Signals in Syracuse - Video History: Making Connections conference |
Chris Darke , Chris Petit and Iain Sinclair Asylum, 2000 |
James Day, The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Helen De Michiel, A Closer Look: Hidden Histories - Introduction , 2005 |
Nick DeMartino, The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Katherine Dieckmann, Electra Myths: Video, Modernism, Postmodernism in Art Journal: Video - The Reflexive Medium, 1985 |
Frank Dietrich, Visual Intelligence: The First Decade of Computer Art (1965-1975), 1985 |
Frank Dietrich, The Computer: A Tool for Thought-Experiments, undated |
Ken Dominick, Notes on Videotape and TV, 1972 |
H.S. Dordick, The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Timothy Druckery, Iterations: The New Image |
Sarah Drury, Who's in Control? Issues in Interactive Media Art, Fall 1999 |
Julia Dzwonkoski, Reverse Engineers, 2005 |
Petra Erdmann, Cemeteries of Old Media , 2004 |
Experimental Television Center, Experimental Television Center - Weltonville Meeting, 1978 |
Experimental Television Center, Information, Works and Activities: Experimental Television Center |
Experimental Television Center, Meeting April 15, 1978: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman. , 1978 |
Experimental Television Center, The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. |
Experimental Television Center, Work from the Experimental Television Center, 1972 |
Experimental Television Center & WAMC, Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening. , 2004 |
Experimental Television Center & WAMC, Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. New Technologies , 2004 |
Experimental Television Center and WAMC, Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Panel Discussion. , 2004 |
Luci Eyers, Histories of New Media Art, 2004 |
Seth Feldman, Exprmntl5 Catalog for Media Study, 1974 |
Floyd Fessler, Has TV Finally Become An Art?, September 23, 1973 |
Peter Frank, The Avant Garde Festival: And Now, Shea Stadium, 1974 |
Dana Friis-Hansen, Video-Music: New Correlations, 1982 |
Lucinda Furlong, Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra, Summer 1983 |
Lucinda Furlong, Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka, 1983 |
Lucinda Furlong, Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka, December 1983 |
Lucinda Furlong, Television/Society/Art symposium, The Kitchen, January 1981 |
Lucinda Furlong, Tracking Video Art: Image Processing as a Genre , Fall 1985 |
Lucinda Furlong, Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded |
Peggy Gale, Bibliography: Peggy Gale, 1996 |
Martha Geever, New York Media Group Spins Its Reels in Rochester , Summer 1983 |
Martha Gever, Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference, May June 1998 |
Martha Gever, Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium, 1985 |
Qubais Reed Ghazala, Circuit Bending & Living Instruments: The Trigon Incantor |
Johanna Gill, Video: State of the Art |
Copper Giloth, A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology , Autumn 1990 |
Terry Gips, Computers and Art: Issues of Content |
Henry Goldberg, Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Carol Goss, Driven to Abstraction, 1998 |
Roberta Grant, Ralph Hocking and the Experimental Television Center, 1977 |
Peter Z. Grossman, Getting into the Act: Video in Live Performance, March 1978 |
Ernest Gusella, A Statement on Video, March 1979 |
Bill Gwin, Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach, undated |
Charles Hagen, Walter Wright and his Amazing Video Machine, April 1975 |
David Hall, Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight, 1996 |
DeeDee Halleck, Mind Power. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
John Hanhardt, Taka Iimura's "I=YOU=HE/SHE", 1979 |
John Hanhardt, The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium, 1985 |
John Hanhardt , Strengthening the Media Arts in New York State : John Hanhardt , 2004 |
Ron Hays, Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts, 1974 |
Richard Herskowitz, Media Buff: Media Art of Buffalo Being In Between, 1988 |
Richard Herskowitz, The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival, 1991 |
Wulf Herzogenrath, Video Tapes. In German and English. Kolnischer Kunstverein, 1974 |
John Hess, Transnational Documentaries: A Manifesto, February 1997 |
Kathy High, A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center, 2005 |
John B. Hightower, NYS Council on the Arts 1969-70: Executive Director's Statement, 1970 |
Chris Hill, (Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog, No. 39 / 40 2003 |
Chris Hill, Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980. , 1995 |
Ralph Hocking, G.R.I.D. |
Ralph Hocking, Motion: An Exhibition of Essentialist Film and Video. |
Sherry Miller Hocking, Reflections from Owego , January 1990 |
Sherry Miller Hocking, Saving the Images: A Report from the Looking Back/Looking Forward Symposium, Fall/Wimter 2002 |
Sherry Miller Hocking, The Evolution of Thinking Machines, Wimter/Spring 2004 |
Sherry Miller Hocking, Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals, undated circa 1083 |
Sherry Miller Hocking, Landscape: Mediated Views, 1998 |
Paul Hollie, Hocking is "Champion of the Arts", 1989 |
Sara Hornbacher, Artist's Video I: Video in the Boroughs, 1983 |
Sara Hornbacher, Artist's Video II: Video in the Boroughs, 1983 |
Sara Hornbacher, Editor's Statement in Video: The Reflexive Medium Issue , 1985 |
Sara Hornbacher, Video: The Reflexive Medium - Editor's Statement, 1985 |
Warrington Hudlin, Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Takahiko Iimura, Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura |
Takahiko Iimura, Talking to Myself: Phenomenological Operation, 1990 |
Alan Jacobs, Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy. , 1979 |
Ken Jacobs, Ralph Poem, 1982 |
Mary Ann Kearns, Origins: REdiscovering the Future of Video Art, 2003 |
Mary Ann Kearns, The Role of Technology in the Art of Nam June Paik: The Social Implications of Television , 1988 |
Bob Kiger, "Videography" What Does It All Mean?, 1972 |
Laddy Kite, Video Conference Held at Albany, December 1974 |
John Knecht, Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, 1999 |
Seymour Knox, NYS Council on the Arts 1969-70: Chairman's Review, 1970 |
Bruce Kurtz, Video is Being Invented, December-January 1973 |
Bruce Kurtz, Changing License, 1975 |
Katherine Landnzan, The Kitchen, 1977 |
Ernest Leogrande, The Video Stretch, April 21, 1973 |
Barbara London, Time as Medium: Five Artists' Video Installations, 1995 |
Barbara London, Bill Viola: Installations and Videotapes The Poetics of Light and Time, 1987 |
Barbara London, Video from Tokyo to Fukui and Kyoto, 1979 |
Barbara London, Video Spaces: Eight Installations, 1995 |
Barbara London, Video: A Selected Chronology, 1963-1983 in Art Journal: Video - The Reflexive Medium, 1985 |
Kristin Lucas, Why do I keep repeating myself? , 1999 |
Ken Marsh, Community Video: An Inner Look, 1977 |
Media Study /Buffalo, Design / Electronic Arts Poster, 1977 |
Media Study/ Buffalo, Electronic Arts: October 1977., 1977 |
Media Study/Buffalo, Electronic Arts Series: January - May 1977, 1977 |
Leanne Mella, Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: On Television, 1994 |
Suzanne Meredith, Hidden Treasure - 3 Flights Up, 2005 |
Suzanne Meredith, Owego TV Pioneer Getting Arts Award, April 5, 1989 |
Matt Mikas, Tune (In))): Radio Community in Microcosm, April 2004 |
Susan Milano, Women's Video Festival - Introduction, 1976 |
Sherry Miller, Electronic Video Image Processing: Notes Toward a Definition, 1983 |
John Minkowski, The Videotape Collection at Media StudylBuffalo, February 1978 |
John Minkowski, Double Vision by Peter Campus , 1978 |
John Minkowski, Electronic Visions, 1984 |
John Minkowski, Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers, 1978 |
John Minkowski, Some Notes on Vasulka Video - 1973-74, 1978 |
John Minkowski, The Videotapes of Tony Oursler, 1985 |
John Minkowski, Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound), 1978 |
Karen Mooney, Gerald O'Grady: The Perspective from Buffalo , 1977 |
Alan Moore, Not on the Shelf: Accounting for New York City Artists' Organizations' |
Marie Nesthus, A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition., 2003 |
New York State Council on the Arts, New York State Council on the Arts Video Conference at the Whitney Museum, 1975 |
New York State Council on the Arts, The Film, undated |
Gerald O'Grady, Introduction to The Frontier 1979-1980 , 1980 |
Barbara Osborn, At Arm's Length: (Taking a Good Hard Look at) Artists' Video, 1990 |
Barbara Osborn, At Arm's Length: (Taking a Good Hard Look at) Artists' Video, 1990 |
Susan Otto, Changing channels: media arts in the '90s, September 1994 |
Nam June Paik, How to Keep Experimental Video on PBS National Programming. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Robert Pincus-Witten, Open Circuits: The Future of Television |
George Quasha, Dialog with Ralph Hocking, Sherry Miller, Willoughby Sharp, George Quasha, Gary Hill, Neil Zusman, Paul Davis, Peer Bode, undated |
George Quasha, Dialogos: On Gary Hill's Happenstance, undated |
George Quasha, Peer Bode Dialogos |
George Quasha, The Dialogical Mode, 1982 |
George Quasha, The Parapoetics of Video, 1982 |
Nicholas Ray, Letter to Ralph Hocking; Highlights from Cannes - Ray - You Can't Go Home Again. April 1, 1972, 1972 |
Daniel Reeves, I am not so sure I know what I am doing anymore with this work..., 1997 |
Jasia Reichardt, Cybernetic Serendipity: The Computer and the Arts, 1969 |
John Reilly, The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Rhizome, Rhizome ArtBase Management Policy, 2002 |
Richard Rinehart, Preserving the Rhizome ArtBase, 2002 |
Judson Rosebush, Everson Video 1975, 1976 |
David Ross, David Ross: The Success of the Failure of Video. , 1998 |
David Ross, Work from the Experimental Television Center: Introduction and Daily Performance Schedule, 1972 |
Mary Ross, Pioneers of Digital Photography, 1998 |
Jose Luis Ruiz, The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy, 1979 |
Michael Rush, New Media in Late 20th-Century Art, 2003 |
Jayce Salloum, Migration and Location: Transcultural Documentary Practice. the video installation as an active archive, 2005 |
Matt Schlanger, Art Statement |
Matt Schlanger, Black Dog Dreams |
Matthew Schlanger, ETC Memories , 1997 |
Matthew Schlanger, Video Hardware Development for Experimental Television Center, undated |
Rachael Schreiber, Net.art: Shedding the Utopian Moment?, 2001 |
Thomas Sherman, The Art Style Computer Processing System, 1974 |
Tom Sherman, Memory and Hope (1996-2006), Winter 1996/1997 |
Tom Sherman, Granular Synthesis, undated |
Tom Sherman, Reflecting on the Future of Video, 1991 |
Tom Sherman, The Premature Birth of Video Art, 2007 |
Debbie Silverfine , Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion, 1994 |
Richard Simmons, Everson Video Revue. Catalog with Images , 1979 |
Richard Simmons, From the Academy to the Avant Garde |
Richard Simmons, From the Academy to the Avant Garde - The Family Jewels, 1981 |
Richard Simmons, New Work in Abstract Video Imagery Abstract Video, 1977 |
Richard Simmons, Psycho-Flux Reunion. , 1998 |
Ture Sjolander, Selected Articles Concerning the Works of Ture Sjolander |
Alan Sondheim, I Model; You Take My Picture , 1988 |
Alan Sondheim, Presence of Future Presence of Video: Thing II , 1994 |
Alan Sondheim, Theses on the Inversion of the Cinema , Fall-Winter, 1983-84 |
Alan Sondheim, Throat, 1994 |
Alan Sondheim, Video, 1991 |
Alan Sondheim, Noise Culture: Thing I , 1988 |
Sonsbeek Foundation, Sonsbeek 71 Introduction and Statements by Artists, June 19 - August 15, 1971 |
Vibeke Sorensen, Art, Science, 1995 |
Vibeke Sorensen, The Artist in the 2 and 3 -D Marketplace, 1989 |
Vibeke Sorensen, Thoughts of a Computer Artist, 1995 |
Anne-Marie Stein, The Passing of an Era: Boston Film/Video Foundation, Spring 2004 |
Richard Stephens, Suggestions Toward a Small Video Facility, undated |
Gerd Stern, Educational Communications Centers and the Television Arts Conference: November 22, 1974 - Media, Information and Then? , 1974 |
Rudi Stern, Stern Media Information, c 1975 |
Marita Sturken, Denman's Col (Geometry): Mary Lucier , February 1982 |
Marita Sturken, Feminist Video: Reiterating the Difference , April 1985 |
Marita Sturken, Media Independents Push for Access, April 1980 |
Marita Sturken, Out of Sync: Electronic Visions at the Hudson RIver Museum, November 1983 |
Marita Sturken, Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts , January 1987 |
Marita Sturken, Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form, 1994 |
Marita Sturken, The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices , 1996 |
Nina Sundell, CAPS/ICI 1981 Travelling Video Festival, 1981 |
Jim Supanick, Quest for What: Video by the HalfLifers, Sept/Oct 1999 |
E. J. Tajchman, The Incredible Animation Machine |
Aldo Tambellini, A Brief History of "6673" |
Elisa Tambellini, The Gate Theater, October 1967 |
Lawrence W. Templeton, A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components, 1972 |
Carolyn Tennant, Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., 1998 |
The College of New Jersey, Feature Presentation: Black Box Video Shorts (+), 2000 |
Seth Thompson, Evolving traditions: artists working in New Media, Nov - Dec 2003 |
Maria Troy, Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report , 1999 |
Arthur Tsuchiya, From the Academy to the Avant Garde - Introduction, 1981 |
Maureen Turim, Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation |
Maureen Turim, Steina and Woody Vasluka: Machine Media - Reading the Tools, Writing the Image, 1996 |
Maureen Turim, The Electronic Gallery, 1980 |
University Art Gallery, Untamed Video: Artists' Tapes from the Experimental Television Center, 1988 |
University Art Gallery, Binghamton University, The Electronic Gallery, 1983 |
Woody Vasulka, Aldo Tambellini: Black Spiral, 1992 |
Woody Vasulka, Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer, 1992 |
Visual Studies Workshop, Astral Projections: A Polyfusion of Media, 1974 |
Linda Wallace, material media: artefacts from the digital age. Disseration thesis Australian National University , Canberra. Chapter 3 mediazone, 2003 |
Mark Webber, Evolution : Aldo Tambellini - Electromedia & The Black Film Series, 2007 |
Ralph Weinger, Color Video Synthesizer with Improved Image Control Means. US Patent, 1975 |
Robin White, Beyond Video: Media Alliance Directory I, 1984 |
Ann-Sargent Wooster, Why Don't They Tell Stories Like They Used To? |
Ann-Sargent Wooster, Memories - 25 Years of the Experimental Television Center, 1997 |
Ann-Sargent Wooster, Reach Out and Touch Someone: The Romance of Interactivity, 1990 |
Walter Wright, 2006 |
Jud Yalkut, Electronic Zen: The Alternate Video Generation, 1984 |
Gene Youngblood, The New Renaissance: The Computer Revolution and the Arts |
Gene Youngblood, Expanded Cinema - Aldo Tambellini, 1970 |
Patricia Zimmerman, Reverse Engineering , 2005 |
Patricia Zimmermann, Processing Trauma: The Media Art of Daniel Reeves, September/October 1998 |
Patricia Zimmermann, Revolutionary Pleasures: Wrecking the Text in Compilation Documentary, March 1989 |
Patricia R. Zimmermann, NAMAC Conference Keynote Address - States of Emergency, Winter 1999 |
Patricia R. Zimmermann, De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real, March 9, 2000 |
Patricia R. Zimmermann, States of Emergency: Documentaries, Wars, Democracies, 2000 |