Biblio
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TV: Popular Art Form." ArtCom 6 (1), no. 21 (1983).
"Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
"Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
TVTV/Video Pioneers: 10 Years Later." SEND (1983).
"The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
The Sixth International Video Exchange Directory, Edited by Sharon Lovett. Vancouver: Press Gang Publishers, 1978.
The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.
The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota, 1984.
The Dream-Work Does Not Think." The Oxford Literary Review 6, no. 1 (1983).
"The Postmodern Condition: A Report on Knowledge." Theory and History of Literature 10 (1984).
"Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
"The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
The Language of New Media. MIT Press, 2001.
The Aesthetic Dimension. Boston: Beacon Press, 1978.
TV The Next Medium." Art In America 57, no. 5 (1969).
"Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
"The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
"The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
"The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
The Best of the West?" Videography 10, no. 5 (1985).
"The Mindset Computer Animation System; Mindset Lumena graphics software.. Sunnyvale, CA: Mindset Corporation, 1984.
The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
"The Moving Art of Video Graphics- or How to Drive a Spectre. Video and Audio-Visual Review, undated.
The Avant-Garde in Dry Dock." The Village Voice (1972).
"Tate Modern: Between Cinema and a Hard Place. London, England: The Tate Gallery, undated.
Television and Video Preservation 1997: A Report on the Current State of American Television and Video Preservation. Washington: Library of Congress. Vol. 1-5., 1997.