Biblio
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The Movement Within: Images Created on a Video Synthesizer." Afterimage 4, no. 12 (1979).
"The Eighth Annual Los Angeles Asian Pacific Film & Video Festival. Los Angeles, CA: Visual Communications, 1993.
The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
Syntax of Binary Images." Afterimage 6, no. 40545 (1978).
"Steina et Woody Vasulka: Videastes. Paris: Cine-MBXA/Cinedoc, 1984.
Steina et Woody Vasulka: Videastes. Paris: Cine-MBXA/Cinedoc, 1984.
Steina & Woody Vasulka: Video Works, Edited by Lori Zippay. Tokyo, Japan: NTT InterCommunication Center (ICC) Theater, 1992.
Steina & Woody Vasulka: Video Works, Edited by Lori Zippay. Tokyo, Japan: NTT InterCommunication Center (ICC) Theater, 1992.
Sight Unseen: Enlightened Squirrels and Fatal Experiments." Video 80, no. 4 (1982).
"Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Montreal Tapes: Video as a Community or Political Tool. Montreal, Quebec: The Vancouver Art Gallery, 1978.
Letter from Italy. June 1975., 1975.
La Quinzaine de la Video. Videographe, undated.
Kunst und Video. Koln: DuMont Buchverlag, 1983.
Happening und Leben. Berlin: Hermann Luchterhand Verlag,, 1970.
Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.
Film as a Subversive Art. ny: Random House, 1974.
Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
"Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Curatorial Statement, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.
Didactic Video: Organizational Models of the Electronic Image." Afterimage 3, no. 4 (1975).
"Cooperstown TV is a Museum., undated.
Beck - Vasulka Interview., 1978.
Astral Projections: A Polyfusion of Media. Rochester, NY: Visual Studies Workshop, 1974.
Artificial Intelligence." Daedalus: Journal of the American Academy of Arts and Sciences 117, no. 1 (1988).
""Art and the Technological Imperative: Special Section." Art & Cinema 3, no. 1 and 2 (1978).
Alexander Hahn: Works 1976-2006. Kunstmuseum Solothurn and the Museum der Moderne Salzburg, 2006.