Biblio
Digital Portfolio." Computer Graphics World, no. September/October (1983).
"Documentary Video Classics - A Core Collection." Sightlines 16, no. 3 (1983).
"Dave Jones 4 Channel Colorizer. Owego, New York: Experiemental Television Center, 1984.
Decillionix. Sound Products for Apple Computers. DX-1.. Sunnyvale, CA: Decillionix., 1984.
Deconstruction and Circumvention." Critical Inquiry 11, no. 1 (1984).
"Desire in Art and Politics: The Theories of Jean-Francois Lyotard." Camera Obscura, no. 12 (1984).
"Distributing for Dollars." Videography 9, no. 11 (1984).
"Das orbitale Zeitalter." Noema 3, no. 40732 (1986).
"Documentary Video: Decades of Change. Long Beach Museum of Art, 1986.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.
Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
Designlab: FB-1 (Frame Buffer) User Guide and Fine Print from Amiga: Multiple shade-of-gray printing on normal dot-matrix printers.. Owego, NY: Designlab, 1988.
DSC Digital Services Corporation Composite Eclipse ECL 4000 Operations Manual with EFE option.. Gainesville, Florida: DSC Digital Services Corporation, 1988.
Digital Creations SuperGen 2000s Owner's Manual Version 1.0. Rancho Cordova, CA: Digital Creations, 1989.
Det Syntetiske Bilde. Oslo: Kunstnernes Hus Oslo, 1991.
Directory of Information Sources on Scientific Research Related to the Preservation of Sound Recordings, Still and Moving Images and Magnetic Tape. Washington, DC: Commission on Preservation and Access, 1993.
Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
"Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
"David Ross: The Success of the Failure of Video.. ETC, 1998.
Dr. Steadfast's Last Migraine: A One Act Play by Terry Cuddy.. Ithaca, NY: Bark Productions, 1998.
Driven to Abstraction., 1998.
De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.
Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).
"Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.
Digital Happy Hour. New York, NY: The Kitchen, 2001.
Digital Art (World of Art). London: Thames & Hudson, 2003.
Deep Focus: A Report on the Future of Independent Media. San Francisco, CA: NAMAC, 2004.
Digital Currents: Art in the Electronic Age. Routledge, 2004.