Biblio
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An Interview with Joseph Beuys." Artforum 8, no. 4 (1969).
"An Introduction to Film. Boston, Toronto, MA, Ontario, Canada: Little, Brown and Company, 1980.
Alchemy to AC/DC to Ones & Zeros: DIY Film to Video to Digital Transfers." The Squealer 15, no. 1 (2004): 14.
"Ant Farm: The Last Interview." Boulevards (1980).
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
"A Pictoral History of the Movies. New York, NY: Simon and Schuster, 1943.
Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.
A Computer-Animation Dream Machine." Videography 1, no. 9 (1976).
"Atomic Reactions: Film and Videotapes on Nuclear War and Disarmament." Afterimage 11, no. 9 (1984).
"Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.
Art and Technology. Los Angeles: Los Angeles County Museum of Art,, 1971.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1982.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1979.
A Tree is a Tree: An Autobiography. Hollywood, CA: Samuel French, 1953.
A Conversation with Bill Viola." Videography 13, no. 1 (1988).
""Art and the Technological Imperative: Special Section." Art & Cinema 3, no. 1 and 2 (1978).
Alexander Hahn: Works 1976-2006. Kunstmuseum Solothurn and the Museum der Moderne Salzburg, 2006.
Art of the Digital Age, Edited by Bruce Wands. Thames & Hudson, 2006.
Artists and Facilities Form a Symbiotic Relationship." Videography 11, no. 2 (1986).
"A Computer Animation Movie Language for Educational Motion Pictures." Fall Joint Computer Conference. (1968): 1317-1320.
"Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
A Computer Art for the Video Picture Wall." Art International, no. 15 (undated).
"American Film and Video: Whitney Biennial. Copenhagen: Statens Museum for Kunst, 1996.
"Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
Autonomous Technology. Cambridge: MIT Press, 1977.
An Aesthetic of Redemption. NY: Columbia University Press, 1982.
An Armory of Mirrors: Juan Downey's 'Looking Glass." Afterimage 10, no. 40545 (1982).
"An Evening with Chris Burden." Artweek 4, no. 44/45 (1973).
"Animating the Static - Experiments in Video 1965-1980. Yale University, 1997.