Biblio
Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
" Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, no. 8 (1983).
"Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
"Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra." Afterimage 11, no. 1 and 2 (1983).
"Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
"Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
"The Anti-Aesthetic. Washington, 1983.
The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
Between Modernism and the Media." Art in America 70, no. 6 (1982).
"Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
"Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.
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Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.