Biblio
New Video:Japan. NY: American Federation for the.Arts and the Museum of Modern Art, 1986.
Seventh Annual Asian American International Video Festival, Edited by David Low. NY, NY: Asian Cinevision, 1989.
Seventh Annual Asian American International Video Festival, Edited by David Low. NY, NY: Asian Cinevision, 1989.
Southland Video Anthology 1975. Long Beach, CA: Long Beach Museum of Art, 1975.
Southland Video Anthology 1976-77. Long Beach, CA: Long Beach Museum of Art, 1977.
Synchromism and American Color Abstraction, 1910-1925. New York, NY: The Whitney Museum of American Art, 1978.
Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.
Video Spaces: Eight Installations. NY, NY: The Museum of Modern Art, 1995.
Wegman's World. Minneapolis: Walker Art Center,, 1982.
Wegman's World. Minneapolis: Walker Art Center,, 1982.
A Chronology of Video Activity in the United States: 1965-1980." Artforum IX, no. 11 (1980).
"Abscam: Video in Crime and Justice." Video 81 2, no. 1 (1981).
"Camera Art." Studio International 190 (1975).
"Cinema Department - Rebels with a Cause." Pipe Dream (1972).
"Community Memory: A Public Information Network." LGG Engineering (undated).
"Contact Zones' Video." Photography Quarterly 16, no. 4 (1995).
"Epistemological TV." Art Journal 34, no. 2 (1975).
"Future Video: Max Almy." LAICA Journal 38 (1983).
"Guts and Fortitude: Video Art and K. Huffman Put the LBMA on the Map." High Performance 7, no. 1 (1984).
"Hybrid." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"Independent Video and the Museum of Modern Art." Videography 9, no. 8 (1984).
"Independent Video: The First Fifteen Years." Artforum IX, no. 11 (1980).
"It's The Thought That Counts: Video As Attitude." Afterimage 11, no. 3 (1983).
"John Sturgeon: Two Video Installations." Artnews 77, no. 5 (1978).
"Les Immateriaux." Art and Text 17 (1985).
"Making the Transitory Permanent: The Intellectual Heritage in a Digitized World of Knowledge." Daedalus 125, no. 4 (1996).
"Media Bio-Tech Rehearsal." Video 80 1 (1980).
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