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bibliographic
Paik, Nam June. "La Vie, Satelites, One Meeting One Life." Video-Culture (1986).
Sandin, Dan, and Phil Morton. Conversational Process: Feedback Loops., 1973.
Camras, Marvin. Magnetic Recording Handbook. NY: Van Nostrand Reinhold Co, 1988.
Zenith Models 4100L, 4100X (Ch. 25NC37). Zenith Electronics Corporation. Howard W. Sams & Co., Inc.. Indianapolis, IN: Zenith Electronics Corporation. Howard W. Sams & Co., Inc., 1966.
IBM. Tape Specifications for IBM One-half Inch Tape Drives at: 556 and 800 BPI and 3200 FCI.. New York, NY: Technisphere Corp., 1970.
Roth, Cliff. The Low Budget Video Bible. Revised Second Edition. New York, NY: Desktop Video Systems, 1995.
Sony AV-8400 Portable 1/2 inch Color Videocorder., 1973.
Owner's Manual for Bose 901 Series II Direct/Reflecting Speaker System; Bozak/Sound Beyond Words; BSR Stereo Frequency Equalizer EQ-3000 Owner's Manual; Cerwin-Vega Subwoofer SW-12B; Nakamichi/BX-1 2 Head Casette Deck Owner's Manual. Bose, Bozak, BSR, Cerwin-Vega, Nakamichi, undated.
Hickok Instrumentation Sales and Pricing Sheets. Cleveland, OH: Hickok Electrical Instrument Co., 1976.
Rees, A. L.. A History of Experimental Film and Video. British Film Inst, 1999.
Sony Corporation of America. Sony. Sony Light Pen: Operating Instructions, SMI-7061.. Japan.: Sony Corporation of America., 1982.
Daedalus. "Futures." Daedalus. Summer (1987).
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
St. Lawrence, Jim. "The Temporary State of the Art." Videography 10, no. 6 (1985).
Concord Video Tape Recording System; Monitor Viewfinder Television Camera Model TCM-20. Los Angeles, CA: Concord Electronics Corp., undated.
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
Sony Corporation of America. U-Matic Type II VP-2000 Player.. New York, NY: Sony Corporation of America., 1975.
Ancona, Victor. "San Francisco's Video Free America." Videography 2, no. 11 (1977).
Etra, Bill. Woody Vasulka Interviews Bill Etra., 1978.
McCarthy, Kevin, Elizabeth H. Ondaatje, and Laura Zakaras Arthur and Brooks. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. RAND, 2004.
Trend, David, and Laddy Kite. "The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
Agee, James. Agee on Film. USA: Beacon Press, 1964.
Downing, John. Political Video in the United States: A Statement for the 1990s. In At Arm's Length (Osborn) which see.., 1990.
Lord, Chip. "Abscam: Video in Crime and Justice." Video 81 2, no. 1 (1981).
Tektronix Instruction Manual for the 1420 NTSC, 1421 PAL, 1422 PAL-M Vectorscope.. Beavertown, OR: Tektronix., 1975.
Gentle Electric. The Gentle Electric Model 101 Pitch and Envelope Follower. Finally, a reliable and versatile instrument-to-synthesizer interface for the professional musician.. Delta, CO: Gentle Electric., 1983.
New York State Council on the Arts Annual Report 1980-81. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1981.
World Wide Video Festival Catalogue. The Haag, Holland: Kijkhuis, undated.
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
Monaco, James. How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. New York, NY: Oxford University Press, 1977.

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