Sony Corporation of America. Sony. Videocassette Recorder BVU-200A. U-Matic Professional Operation and Maintenance Manual: 1st Edition (Revised 2). Serial No. 20001 and Higher.. Japan: Sony Corporation of America., 1979.

Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.

Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).

"Black Face." The Quarterly Journal of the Black Filmmaker Foundation 1, no. 1 (1989).

Stout, David, and Bob Campbell. "Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).

National Endowment for the Arts: Proposal for Continued LSI-11 Microprocessor Research and Publication., 1978.

Meyers-Kingsley, Dara, and Chris Chang. Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.

Barlow, Melinda. "Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape." Afterimage 25, no. 2 (1997): 6-10.

Sony Corporation of America. New Sony U-Matic Color Videocassette System. You've got the whole world in your hands.. New York, NY: Sony Corporation of America., 1971.

Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).

Panasonic Color Cameras Models WV-3255/8AF; WV-3250/8AF., undated.

Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).

Ancona, Victor. "The Whitney Museum Biennial." Videography 8, no. 5 (1983).

Operation and Service Instruction Manual for Precision 1000 Television System. Pleasantville, NY: General Precision Inc., 24537.

Paik, Nam June. Nam June Paik Video Sculptures: Electronic Undercurrents. Copenhagen: Statens Museum for Kunst, 1996.

"Special series Video Art Exploration Dominique Belloir." Cahiers du Cinema (1981).

Richards, Catherine, and Mary Anne Moser. Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.

Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.

Ross, David. Letter from Joan Jonas to Experimental Television Center., 1972.

Video 2000. Dayton, OH: Wright State University Art Galleries, 2000.

Body, Vera, and Peter Weibel. Clip Klapp Bum, Edited by Vera Body. Koln, 1987.

Hewlett Packard/ Sanborn Division. Operating and Service Manual. 60-1300, 60-1300B Sanborn Twin-Viso Recorder.. Waltham, MA: Hewlett Packard/ Sanborn Division., 1957.

Type PK-730A Single Vidicon Color Camera. Burbank, CA: RCA Commercial Electronic Systems, undated.

Daedalus. "Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).

Wassall, Gregory H., and Douglas DeNatale. New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.

Korot, Beryl, and Phillis Gershuny. "various articles." Radical Software: Electromagnetic Spectrum 1, no. 2 (undated).

Singer-General Precision, Inc. Link Division. Singer Service Instruction Manual: Video Printer Model 1983, GPL Part Numbers G5481-001-01, -02, -03. Handbook Part No. G5146-280, Issue: 2.. Pleasantville, NY: Singer-General Precision, Inc., 1968.

"LSI-11 Microcomputer Controlled Digital Sound Synthesizer." Computer Music Journal 1, no. 4 (1977).

Vasulka, Woody, and Steina Vasulka. Steina et Woody Vasulka: Videastes. Paris: Cine-MBXA/Cinedoc, 1984.

Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ﾖ The Moving Image 114, no. 4 (1985): 79-104.