Biblio

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Zimmermann, Patricia R.. De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Weinger, Ralph. Color Video Synthesizer with Improved Image Control Means. US Patent., 1975.
Meeting April 15, 1978: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman.. Binghamton, NY: Experimental Television Center, 1978.
Experimental Television Center, and Sherry Miller Hocking. ETC Mission Statement and Programs. 1978., 1978.
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Allen, Charles R.. Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Arthur, Paul. "Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty." Film Comment (2004).
Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Experimental Television Center, and Ralph Hocking. New York State Council on the Arts: Proposal for the Experimental Television Center 1970., 1970.
Chang, Chris. "Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).
Marsh, Ken. "Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.
London, Barbara. "Video: A Selected Chronology, 1963-1983." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Cooper, Christian. "Low-Cost Creativity." Videography 11, no. 11 (1986).
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Vasulka, Woody. Aldo Tambellini: Black Spiral., 1992.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: Electronic Video Processing System Development. 1977., 1977.
Collins, Dan. "Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
Reichardt, Jasia. Cybernetic Serendipity: The Computer and the Arts, Edited by Jasia Reichardt. New York: Praeger, 1969.
Tennant, Carolyn. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.
Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
Turim, Maureen. The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
Youngblood, Gene. "The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
Hocking, Sherry Miller. "Reflections from Owego." The Squealer (1990).
Otto, Susan. "Changing channels: media arts in the '90s." Afterimage (1994).

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