Biblio
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Information, Works and Activities: Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1976.
Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Video Spaces: Eight Installations. NY, NY: The Museum of Modern Art, 1995.
The Videotape Collection at Media Study Buffalo." Afterimage 5, no. 7 (1978).
"The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Stern Media Information., 1975.
Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"Iterations: The New Image., 1993.
Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
The Computer: A Tool for Thought-Experiments. Salt Lake City, UT: University of Utah, Department of Communication.
New York State Council on the Arts Proposal: Electronic Video Processing System Development. 1977., 1977.
Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
" Vibeke Sorensen: Demystifying Video Technology." Videography 4, no. 2 (1979).
"A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition.. NY, NY: Donnell Media Center, 2003.
Beyond Video: Media Alliance Directory I, Edited by Robin White. Ny, NY: Media Alliance, 1984.
Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
"Psycho-Flux Reunion.., 1998.
The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002).
" New Work in Abstract Video Imagery Abstract Video. Syracuse, NY: Everson Museum of Art, 1977.
From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).
"Videography What Does It All Mean?" American Cinematographer (1972).
"A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
NAMAC Conference Keynote Address - States of Emergency." Main (1999).
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