Biblio
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New York Media Group Spins Its Reels in Rochester." Afterimage (1983).
" Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
"The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
" Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.
New York State Council on the Arts Video Conference at the Whitney Museum. NY, NY: New York State Council on the Arts, 1975.
Video Conference Held at Albany." Afterimage (1974).
"Art Statement., undated.
Barbara Buckner: Psychic Poetry Exemplified." Videography 4, no. 8 (1979).
"The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
ETC Proposal: Frame Buffer 1987., 1987.
Memories - 25 Years of the Experimental Television Center. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Reverse Engineering., 2005.
Electronic Arts Series: January - May 1977. Buffalo, NY: Media Study/Buffalo, 1977.
The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
"The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
"The Gate Theater." Artscanada (1967).
"De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.
The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).
"Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
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