Biblio
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The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
"The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
"The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
"The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
"The Video Issue." Lightworks 1, no. 5 (1976).
The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
The Video Scene." LBMAVIDEO 2, no. 6 (1986).
"The Video Stretch." Daily News (1973).
" The Video Underground." Art In America 59 (1971).
"The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
"The Video Work of Richard Foreman." The Downtown Review 3, no. 2 (1981).
"The Videola., undated.
The Videola Under Construction in the Studio., undated.
The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
" The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
"The Whitney Museum Biennial." Videography 8, no. 5 (1983).
"The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
The World Viewed. Cambridge: Harvard University Press, 1979.
Themes in Electronic Image Processing. NY, NY: The Kitchen, 1981.
Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
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