Biblio

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Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Video and Kids 2, no. 6 (1974).
Korot, Beryl, and Michael Shamberg. "various articles." Radical Software 1, no. 3 (1971).
Korot, Beryl, and Megan Williams. "various articles." Radical Software: Guerilla TV 1, no. 6 (undated).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Video and Environment 2, no. 5 (1973).
Korot, Beryl, and Phillis Gershuny. "various articles." Radical Software: Alternative TV Movement 1, no. 1 (1970).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Videocity 2, no. 3 (undated).
Korg PS-3200 Programmable Polyphonic Synthesizer; PS-3300; PS-3100; BX-3 Electronic Organ; CX-3 Portable Organ; LP-10 Electronic Piano; Trident; Delta; Lambda; Sigma; VC-10 Vocoder; MS-10; MS-20; MS-50; SQ-10; X-911; others. Tokyo, Japan: Keio Electronic Lab Corp. Korg Electronic Ltd., undated.
Korg Monophonic Synthesizer MS-20 Setting Examples; Owner's Manual. Tokyo, Japan: Keio Electronic Lab Corp. Korg Electronic Ltd., undated.
Kolyer, Diane. "Video Art Goes State of the Art." Videography 9, no. 10 (1984).
Kolpan, Steven. Radical Departures: The 1982 CAPS Video/Multimedia Festival. NY: CAPS Community Service Program, 1982.
Kolpan, Steven. "Bateson Through the Looking Glass." Video and the Arts 11 (1986).
Knox, Seymour. NYS Council on the Arts 1969-70: Chairman's Review. NY, NY: New York State Council on the Arts, 1970.
Knowles, Marguerite W.. "Mediascope Buffalo: The Moving Image In and Around Buffalo 1970-1985." The Squealer 11, no. 2 (1996).
Knight Electronics KG-685 Color Pattern/Generator Kit Instructions; Demodulator Probe; Low Capacity Probe;. Maywood, Illinois: Knight Electronics, 1966.
Knecht, John. Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
KLH 120 Watt Powered Subwoofer Owner's Manual. Sun Valley, CA: KLH Audio Systems, undated.
Klein, Howard. The Rise of the Televisualists in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Klark-Teknik DN-36 Operating Instructions. Farmingdale, NY: Klark-Teknik Electronics Inc., undated.
Kite, Laddy. "Video Conference Held at Albany." Afterimage (1974).
Kirby, Lynne. The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Kirby, Michael. The Art of Time. NY: E. P. Dutton, 1969.
Kiger, Bob. "Videography What Does It All Mean?" American Cinematographer (1972).
Kerne, Andruid. "CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Kepes, Gyorgy. The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.
Keil, Bob. "Marlene and Paul Kos: Video Collaborations." Artweek 9, no. 21 (undated).
Keil, Bob. "David Ross Thoughts on Video." Artweek 9, no. 33 (1978).
Kearns, Mary Ann. Origins: REdiscovering the Future of Video Art. Vol. Cambridge. Boston, MA: Art Interactive, 2003.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture. unpublished thesis, 1988.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.

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