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Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.
Hocking, Sherry Miller, and Richard Brewster. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Boyle, Deirdre. "Documentary Video Classics - A Core Collection." Sightlines 16, no. 3 (1983).
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Althusser, Louis, and Etienne Balibar. Reading Capital. Translated by Ben Brewster. London: New Left Books, 1970.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Bloch, Ernst, and Walter Benjamin Theodor Adorno George Lukacs, Bertolt Brecht. Aesthetics and Politics. London. London: New Left Books, 1977.
Battcock, Gregory. New Artists Video: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1978.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Brewster, Richard. Buffer Memory. Binghamton, NY: Experimental Television Center, undated.
Brewster, Richard. Experimental Television Center, Brewster Analog System (Analog Synthesizer). Owego, NY: Experimental Television Center, 1979.
Bertram, Neal H., and David Mills R. Michael Stafford. "The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
Bark Productions, Cuddy, Terry. Dr. Steadfast's Last Migraine: A One Act Play by Terry Cuddy.. Ithaca, NY: Bark Productions, 1998.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Bodolai, Joe, and Harry Isobel. "Decentralization of the Means of Visual Production." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Bear, Liza. "various articles." Avalanche, no. 7 (1973).
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Barnouw, Erik, and Patricia Zimmermann. "The Flaherty." Wide Angle 17, no. 40547 (undated).
Demes, Samuel, and Jennie Brogdon. "Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
Boston, George. Archiving the Audio-Visual Heritage, Edited by George Boston. UNESCO, 1992.
Boyle, Deirdre. "Growing Up Wired." American Film (1982).
Becker, Barbara. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Barzyk, Fred. "TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Platt, Fran, and Gerry Pallor Bill Jones, Ann Volkes. "Upstate Report part II." The Independent 3, no. 4 (1980): 19-20.
Brewster, Richard. Hubbell Adapter Schematics for ETC Dimmers., undated.
Berke, Joseph. Counter Culture., Edited by Joseph Berke. London: Peter Owen Ltd., 1969.