Biblio
Shigeko Kubota: Video Scuptures. Germany, undated.
Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.
Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.
Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
War and Peace in the Global Village. New York, NY: Bantam Books, 1968.
Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.
Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Unbalancing Acts: Foundations for a Theater., undated.
The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
The Archaeology of Knowledge. New York:: Harper and Row, 1972.
The Anti-Aesthetic. Washington, 1983.
Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.