Biblio
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The Video Scene." LBMAVIDEO 2, no. 6 (1986).
"The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
"The Video Issue." Lightworks 1, no. 5 (1976).
The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
"The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
"The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The TV Commercial: Getting from There to Here." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 34-41.
"The TV Aesthetic." Art and Artists 9, no. 8 (1974).
"The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
The Temporary State of the Art." Videography 10, no. 6 (1985).
"The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
"The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
The Success of the Failure of Video Art." Videography 10, no. 5 (1985).
"The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
"The Structure of Art. NY: Braziller, 1970.
The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
"The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
"The State of the Art." Videography 4, no. 1 (1979).
"The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
The Spectacle of Image. Boston: Institute of Contemporary Art, 1987.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Social Production of Art. NY: New York University Press, 1984.