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Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
Ancona, Victor. "The Independent Producer and Public Television: Independents Air Their Gripes." Videography 3, no. 7 (1978).
Gartel, Laurence. "The Incubation of Electronic Imaging: Let the Fun Begin." Photomethods 25, no. 9 (1982).
Tajchman, Birger E. J.. "The Incredible Electronic Animation Machine." Computer Image (1977).
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
Weiner, Norbert. The Human Use of Human Beings: Cybernetics and Society. ny: Avon, 1967.
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Arendt, Hannah. The Human Condition. NY: Doubleday/Anchor Press, 1959.
Frensel Jr., Louis E.. The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
Ancona, Victor. "The Home Video Market: Will Alternative Programming Make It?" Videography 5, no. 4 (1980).
Labat, Tony. "The Hearing." SEND (undated).
The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply. Berkeley Heights, NJ: Harrison Laboratories, Hewlett Packard, 1965.
The Handling and Storage of Magnetic Recording Tape. 3M Company, undated.
McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Petit, M. R.. "The Grimm Tale: The Evolution of a Multimedia Performance." Leonardo Fifth Annual New York Digital Salon 30, no. 5 (1997).
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Barnouw, Erik. The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
Sturken, Marita. "The Gentrification of Video." Afterimage 13, no. 4 (1988).
Tambellini, Elsa. "The Gate." 113, no. Oct-67 (1967).
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
Rose, Brian. "The Future of Cultural Programming." Videography 11, no. 5 (1986).
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
Barnouw, Erik, and Patricia Zimmermann. "The Flaherty." Wide Angle 17, no. 40547 (undated).

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