Biblio
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The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
"The Independent Producer and Public Television: Independents Air Their Gripes." Videography 3, no. 7 (1978).
"The Incubation of Electronic Imaging: Let the Fun Begin." Photomethods 25, no. 9 (1982).
"The Incredible Electronic Animation Machine." Computer Image (1977).
"The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
The Human Use of Human Beings: Cybernetics and Society. ny: Avon, 1967.
The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
The Human Condition. NY: Doubleday/Anchor Press, 1959.
The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
The Home Video Market: Will Alternative Programming Make It?" Videography 5, no. 4 (1980).
"The Hearing." SEND (undated).
"The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply. Berkeley Heights, NJ: Harrison Laboratories, Hewlett Packard, 1965.
The Handling and Storage of Magnetic Recording Tape. 3M Company, undated.
The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
The Grimm Tale: The Evolution of a Multimedia Performance." Leonardo Fifth Annual New York Digital Salon 30, no. 5 (1997).
"The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
"The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
The Gentrification of Video." Afterimage 13, no. 4 (1988).
"The Gate." 113, no. Oct-67 (1967).
"The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
The Future of Cultural Programming." Videography 11, no. 5 (1986).
"The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
The Flaherty." Wide Angle 17, no. 40547 (undated).
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