Biblio

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C
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
de Certeau, Michael. The Practice of Everyday Life. Translated by Steven F. Randall. Berkeley: University of California Press, 1984.
Cesan, Donna. The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
Coleman, Charles H.. Techniques for Multiple Generation Color Videotapes- Today and Tomorrow. Elk Grove Village, Illinois: Ampex Corporation Research and Engineering Corporation, 1966.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
Connor, Russell. "The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
Conrad, Peter. Television: The Medium and Its Manners. London: Routledge, 1982.
Conrad, Tony. "The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
The Low Power Television Guidebook: A Primer on the Low Power Service. Washington, DC: CPB, 1980.
Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
D
D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
D'Agostino, Peter. TeleGuide. and Proposal for QUBE. Long Beach, CA: Long Beach Museum of Art, undated.
D'Agostino, Peter. Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Daedalus. "The Moving Image." Daedalus Fall (1985).
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
Davidson, Steven, and Gregory Lukow. The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.
Davis, Douglas, and Allison Simmons. The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.

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