Biblio

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2000
Lunenfeld, Peter. Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures. MIT, 2000.
Sony Corporation of America. Sony. Compact Hi-Fi Stereo System Operating Instructions: MHC-M500AV/M300AV, MHC-M100. Campact Disc Digital Audio.. China: Sony Corporation of America., 2000.
Slobode, Usvajanje. Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.
Lichty, Patrick. "The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Youngs, Amy M.. "The Fine Art of Creating Life." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
Video 2000. Dayton, OH: Wright State University Art Galleries, 2000.
Chris, Cynthia. "Video Art: Stayin' Alive." Afterimage (2000).
Videospace: The National Center for Experiments in Television, 1967-1975. An exhibition in collaboration with UC Berkeley Art Museum and Pacific Film Archive. September 14 - November 15, 2000. Postcard.., 2000.
Seid, Steve, and Maria Troy. Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.
1999
Rees, A. L.. A History of Experimental Film and Video. British Film Inst, 1999.
Cohen, Janet. "Answers And Questions About Digital Collaboration." Afterimage (1999).
Epson Stylus Color 760, 860 Operator Manual. Seiko Epson Corporation, 1999.
Bennahum, David S.. Extra Life: Coming of Age in Cyberspace. Basic Books, 1999.
Hayles, Katherine N., and Katherine Hayles. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago, 1999.
Sturken, Marita. "Imaging postmemory/renegotiating history." Afterimage (1999).
Johnson, Steven. Interface Culture How New Technology Transforms the Way We Create and Communicate. Basic Books, 1999.
Heist, Eric, and Laura Parnes. Momenta Art: Exhibitions 1995 Through 1999.. Brooklyn, NY: Momenta Art, 1999.
Manovich, Lev. New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
Rudolph, Hank. Studio Notes: Experimental Television Center., 1999.
Lerner, Jesse. "Superocheros." Wide Angle 21, no. 3 (1999).
Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
Lunenfeld, Peter. The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Jones, Bill T.. The MIT Press. Continuous Replay: the Photographs of Arnie Zane., Edited by Jonathon Green. Cambridge, MA: The MIT Press, 1999.
Gangitano, Lia. Thread Waxing Space. LP: Luther Price: Imitation of Life.. New York, NY: Thread Waxing Space, 1999.

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