Biblio

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F
Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Frampton, Hollis. Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
Frensel Jr., Louis E.. The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Friis-Hansen, Dana. Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.
Fuller, Leslie. Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see.., 1990.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Furlong, Lucinda. "A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, no. 8 (1983).
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).

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