Biblio
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Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
" The Art Style Computer Processing System. Toronto, Ontario, 1974.
Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
"TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
"Net.art: Shedding the Utopian Moment?" Link 7 (2001).
"ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Jones Modular Video Synth., 2011.
Black Dog Dreams., 1999.
Art Statement., undated.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
The Language of Video., undated.
"The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
David Ross: The Success of the Failure of Video.. ETC, 1998.
Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Videotape: Video Design and Modification - George Brown.", no. June 1977 (1977).
"Interview with Jud Yalkut. Syracuse, New York: Syracuse New Times, 1972.
Everson Video 1975, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, 1976.
Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Preserving the Rhizome ArtBase." Rhizome (2002).
"Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).
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