Biblio

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bibliographic
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
DeFanti, Thomas A., Daniel J. Sandin, and Theodor Nelson. Computer Graphics as a Way of Life., undated.
Dreyer, Carl Th., and Donald Skoller. Dreyer in Double Reflection: Translation of Carl Th. Dreyer's writings About The Film (Om Filmen). New York, NY: E.P. Dutton & Co., Inc., 1973.
Experimental Television Center, Brewster, Richard, Matt Schlanger, and Miller Hocking Sherry. Experimental Television Center System Manual: Manual for The Experimental Television Center Video Synthesizer Studio. Owego, NY: Experimental Television Center, 1976.
Experimental Television Center, Brewster, Richard, Matt Schlanger, and Miller Hocking Sherry. Experimental Television Center System Manual: Manual for The Experimental Television Center Video Synthesizer Studio. Owego, NY: Experimental Television Center, 1976.
Stewart, Tom, and Peter Farleigh. Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Gillette, Frank, James Harithas, and Willoughby Sharp. Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.
Jacobs, Ken, and Jack Smith. "Soundtack of "Blonde Cobra"." Kinemathek. 70, no. 22 (1986).
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
Shattuck, Roger. "Words and Images: Thinking and Translation." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 201-214.
Korot, Beryl, and Michael Shamberg. "various articles." Radical Software 1, no. 3 (1971).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Changing Channels 2, no. 1 (1972).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: The TV Environment 2, no. 2 (1973).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Video and Environment 2, no. 5 (1973).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Video and Kids 2, no. 6 (1974).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Solid State 2, no. 4 (1973).
Korot, Beryl, and Ira Schneider. "various articles." Radical Software: Videocity 2, no. 3 (undated).
Kubota, Shigeko, Toni Stoss, and Zdenek Felix. Shigeko Kubota: Video Scuptures. Germany, undated.
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Shamberg, Michael. Guerrilla Television. New York, NY: Holt, Rinehart and Winston, 1971.
Renov, Michael, and Erika Suderburg. Resolutions : Contemporary Video Practices, Edited by Michael Renov. University of Minnesota Press, 1996.
Riley, Robert, and Marita Sturken. Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Robertson, Clive, and Lisa Steele. "selected articles." FUSE: The Cultural Media and News Magazine 4, no. 4 (1980).
Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive. London: Wallflower Press:, 2005.
Don Hallock and the Videola. San Francisco, CA: San Francisco Museum of Art, 1973.

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