Biblio

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Robinson, Richard. The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
Robertson, Clive, and Lisa Steele. "selected articles." FUSE: The Cultural Media and News Magazine 4, no. 4 (1980).
Rinehart, Richard. "Preserving the Rhizome ArtBase." Rhizome (2002).
Rinehart, Richard. Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Rinder, Lawrence, Anne Ehrenkranz, and Joel Ehrenkranz. Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.
Riley, Robert, and Marita Sturken. Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
Rifkin, Ned. Stay Tuned. NY: The New Museum, 1981.
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Rice, Lloyd D., and James L. Cooper. Computalker Model CT-1 Speech Synthesizer. Sant Monica, CA: Computalker Consultants, 1976.
Rice, Shelley. "Conjunctions: The Video Installations of Lauren Ewing." Afterimage 11, no. 40545 (1983).
Rice, Shelley. "Video Installation 1983." Afterimage 11, no. 9 (1983).
Rice, Shelley. "Mythic Space: The Video Installations of Rita Myers." Afterimage 9, no. 6 (1982).
Rice, Shelley. "Mary Lucier." Woman's Art Journal (1985).
Rice, Shelley. "Video Installation 1983: November 5 - December 2." Afterimage Special Supplement (1983).
Rhodes, Charles W.. FCC guidelines as of the First Order and Report of March 17, 1971, Docket 1842. Beavertown, OR: Tektronix., 1972.
Rhodes, Gabe. "Squeaky Wheel Celebrates Ten Years." MAIN (undated).
Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
Rheingold, Howard. Virtual Reality: The Revolutionary Technology of COmputer-Generated Artificial Worlds - and How It Promises to Transform Society. NY: Touchstone, 1991.
Restany, Pierre. "The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
del Renzio, Toni. "The TV Aesthetic." Art and Artists 9, no. 8 (1974).
Renov, Michael, and Erika Suderburg. Resolutions : Contemporary Video Practices, Edited by Michael Renov. University of Minnesota Press, 1996.
Reinke, Klaus. "Video Artists." Studio Internatinal, no. 183 (1972).
Reilly, John. Global Village. Global Village, 1978.
Reilly, James M., and Edward Zinn Douglas Nishimura. New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology., 1995.
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Reilly, John, and Stefan Moore.. "The Making of the Irish Tapes." Filmmakers Newsletter December (1975).
Reidy, Robin. "Pop Pop Video." American Film (1980).
Reid, T. L.. "Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).

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