Biblio

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bibliographic
Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchloh, Benjamin. "Allegorical Procedures: Appropriation and Montage in Contemporary Art." Artforum 21 (1987).
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buckley, Tom. "Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Burnham, Jack. "Systems Aesthetics." Artforum 7, no. 1 (1968).
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Butler, Michael L. V.. "Dear Thespians: -." (1974).
Buvoli, Luca. Not-a-Superhero, I presume. Temporanea, 1997.
Quatorzieme Festival International Du Nouveau Cinema et de la Video Montreal, Edited by Natasha Bobouwski. Montreal, Quebec, Canada: CIDEM Cinema, 1985.
Demes, Samuel, and Jennie Brogdon. "Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Brewster, Richard, and Shuya Abe. Paik-Abe Video Synthesizer Documentation, Brewster D+7A Extension, MC 1372 Color Video Monitor Circuit, Basic 5, Cherry Keyboard. Binghamton, NY: Experimental Television Center, undated.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Hochberg, J., and V. Brooks. The Perception of Television Displays. Columbia University, 1973.
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.

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