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bibliographic
Sony Videocorder EV-320 One Inch Color Recorder(with optional adaptor); EVR-310 Remote Control Unit; CLP-1B Video Color Pack., 1970.
Hickok Model 209B Vacuum Tube Voltmeter. Cleveland, Ohio: Hickok Electrical Instrument Co., 1963.
Ancona, Victor. "Video-Generated Photographs: Creating Still Images of the Imagination." Videography 6, no. 1 (1981).
Daedalus. "The Moving Image." Daedalus Fall (1985).
"Out of Focus - Don Hallock." Focus - The Magazine of KQED Television and Radio (1973).
Smoley, Richard. "Editor's Introduction." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Rhea, Tom. Micromoog 2090 Operation Manual. Lincolnwood; Williamsville, Illinois; N.Y.: Moog (A Product of Norlin Corporation), 1976.
Acconci, Vito. "various." Art-Rite: Video, no. Number 7 (1974): 1-32.
Concord SEG Disassembly Instructions and Explanations on Circuits. Los Angeles, CA: Concord Electronics Corp., undated.
Sony Corporation of America. Sony Trinitron Color TV, Operating Instructions. Models: KV- 20V80, 27S40, 27S45, 27S65, 27V40, 27V45, 27V65. Serial # for KV-20V80: 4024673.. USA: Sony Corporation of America, 1997.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
Hocking, ETC. Equipment List ETC (approx. 20 pages)., undated.
McLuhan, Marshall. Verbo-Voco-Visual Explorations. NY: Something Else Press, 1967.
Sony EV-320 One Inch Color Videocorder (2 copies)., undated.
Panasonic VTR/CCTV Catalog includes WV-380P, WV-341P, WV-241P, Mini Studio System, Accesories., undated.
Downey, Juan. "Information Withheld." SEND 2, no. 4 (1982).
Magnetic Tape Erasure - How Serious Is the Threat?. 3M Company, undated.
General Radio Company Operating and Maintenance Instructions for Type 1530-A Microflash. Cambridge, MA: General Radio Company, 1957.
Noll, Michael A.. "The Beginnings of Computer Art in the United States: A Memoir." Leonardo, no. September (1994).
Tekscope. Volume 8, Number 4.. Beavertown, OR: Tektronix., 1976.
Rosebush, Judson. Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973.
Farrell, Tom. "We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).
Wollen, Peter, and Kathleen Woodward Anthony and Wilder. The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.
Beck, Stephen. Direct Video: Electronic Artform for Color Television. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Hayles, Katherine N., and Katherine Hayles. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago, 1999.
RCA Electronic Components Tips On The use of Image Orthicons. Lancaster, PA: RCA Electronic Components, 1968.
Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.
Ars Electronica 1990: Digital Dreams - Virtual Worlds. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1990.
Shine, Chris. SVID Use of Sandin IP., undated.
Guberman, Ross, and Julia Kristeva. Julia Kristeva Speaks Out.., undated.

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