Biblio
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NAMAC 1987." Videography 12, no. 9 (1987).
"How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. New York, NY: Oxford University Press, 1977.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Archiving Videotape." Audio Visual Communications (1991).
"The Evolutionary Girls Club (Not to be Mistaken for the Old Boys Club). Rochester, NY: PEP Studios, 2002.
Binghamton: Video World Hollywood." Pipe Dream (1972).
""various." Art in America 70, no. 9 (1982): 1-176.
Culture, Society and the Media, Edited by Michael Gurevitch. NY: Methuen, 1982.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Cybernetic Serendipity: The Computer and the Arts. NY: Studio International and Frederick Praeger, 1969.
Z-80 Instruction Manual; 2708/2716 EROM Board Instruction Manual. Ithaca, NY: Ithaca Audio, 1977.
Zur Geschichte und Asthetik der digitalen Kunst." Ars electronica 1984 (Supplement) (1984).
"TV: The Most Popular Art., Edited by Horace Newcomb. NY: Doubleday, 1974.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
Experimental Television Center Buffer Memory Schematics. Binghamton, NY: Experimental Television Center, 1977.
A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.
Video Aids Corporation of Colorado. VACC Model A-1, Optical Isolator Kit Installation Manual.. Loveland, CO: Video Aids Corporation of Colorado, undated.
Special Issue on Video." Print (1972).
"Serge. Synthesizer Modules Schematics.. Serge., undated.
77 Videolab Module "A" Complete. Berkeley, California: Electronic Associates of Berkeley, 1976.
Creative Artists Public Service Program (CAPS). Annual Report 1979-80.. New York, New York: Creative Artists Public Service Program, 1980.
Marlene and Paul Kos: Video Collaborations." Artweek 9, no. 21 (undated).
"Expanded Cinema. New York: E.P. Dutton & Co. Inc., 1970.
New York State Council on the Arts Proposal for 1975-76. Binghamton, New York, 1975.
Hollis Frampton: Recollections Recreations. Cambridge, MA: MIT Press, 1984.
"Festival Issue." Sightlines 16, no. 4 (1983).
Home sweet home - Abigail Child's 1996 documentary film 'B/side'." Afterimage (1998).
"San Francisco Video Festival." Videography 7, no. 5 (1982).
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