Biblio

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C
Combs, Richard. "Lightning Over Water." 50, no. 2 (1981).
Columbia Video Systems Closed Circuit Television and Video Equipment Catalog.. Highland Park, Illinois: Columbia Video Systems, 1979.
Columbia Video Systems, Our Thirtieth Year 1948-1978, Your Complete Catalog of Closed Circuit Television and Video Equipment. Highland Park, Illinois: Columbia Video Systems, 1978.
Colstad, Ken, and Efrem Lipkin. "Community Memory: A Public Information Network." LGG Engineering (undated).
Colorado Video Incorporated Instruction Manual For Model 201-B Video Converter. Slow-Scan. (2 copies). Boulder, CO: Colorado Video Incorporated, 1969.
Colorado Video Incorporated Short Form Catalog(2) and Product Sheets on Video Quantizer 606, 606A,. Boulder, CO: Colorado Video Incorporated, undated.
Colorado Video Incorporated Instruction Manual CVI Video Converter Model 220B. Boulder, CO: Colorado Video Incorporated, 1973.
Colorado Video Incorporated Instruction Manual CVI Model 502 Data Camera. Boulder, CO: Colorado Video Incorporated, 1973.
Colorado Video Incorporated Product Catalog. Boulder, CO: Colorado Video Incorporated, 1978.
Embossed Cardboard Artwork/Diagram for Col-R-Tel Color Converter.. Columbia City, Indiana, 1955.
Installation, Operating, and Service Instructions for Col-R-Tel Converter Model 100-1, 100-2. Columbia City, Indiana, 1955.
Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV".. Columbia City, Indiana, 1955.
Collopy, Fred. "Color, Form, and Motion: Dimensions of a Musical Art of Light." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Collins, Nick. Handmade Electronic Music: The Art of Hardware Hacking. Routledge, 2006.
Collier, John Jr. Visual Anthropology. Photography as a Research Method. NY: Holt, Rinehart & Winston, 1967.
First World Order.. Tempe, AZ: Office of the Dean, College of Fine Arts at Arizona State University., 1995.
Coleman, Connie. "Exploring New Forms in the VIsual Arts Through the Use of Electronic Tools: Videography and Computer Graphics." Leonadro 20, no. 3 (1987).
Coleman, Charles H.. Techniques for Multiple Generation Color Videotapes- Today and Tomorrow. Elk Grove Village, Illinois: Ampex Corporation Research and Engineering Corporation, 1966.
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
Cohu Schematics for Camera, Remote Control Mix Board, Clamp Output Amplifier with Sync Insertion, Cable Assembly CA-8, Burst Processor, Sync Delay Board, Video Paths (Typical System 21 x 7), Cable Assembly Background Generator and/or Blackburst, CA 61, Am. San Diego, CA: Cohu Electronics, 1968.
Cohen, Janet. "Answers And Questions About Digital Collaboration." Afterimage (1999).
Footprints: Media Art by Philip Mallory Jones. Hamilton, NY: Colgate University, 2003.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
Clancy, Patrick. Video As Attitude. Santa Fe: University Art Museum, University of New Mexico, Albuquerque and Museum of Fine Arts, 1983.
Quatorzieme Festival International Du Nouveau Cinema et de la Video Montreal, Edited by Natasha Bobouwski. Montreal, Quebec, Canada: CIDEM Cinema, 1985.
Churchill, Ted. "Organism: From Time Compression to Time Capsule, An Interview with Hilary Harris." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 1.
Chris, Cynthia. "Video Art: Stayin' Alive." Afterimage (2000).
Chomsky, Noam. Aspects of the Theory of Syntax. Cambridge: MIT Press, 1972.
Child, Margaret. Directory of Information Sources on Scientific Research Related to the Preservation of Sound Recordings, Still and Moving Images and Magnetic Tape. Washington, DC: Commission on Preservation and Access, 1993.
the equivalent): of from Chicago,(or Group Video Artists 2N. 4123 A.. Interstate Interface., undated.

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