Biblio

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H
Hightower, John B.. NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.
High, Kathy. Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Jean Haynes, Carlota Schoolman, Chris Hill.. ETC, 1998.
High, Kathy. Interviews at the Video History: Making Connections Conference. Interviews conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers.. ETC, 1998.
High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).
Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Herskowitz, Richard. Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Hays, Ron. Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Hanhardt, John. Strengthening the Media Arts in New York State : John Hanhardt. ETC, 2004.
Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Halleck, DeeDee. Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Hall, David. Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
Hagen, Charles, and Laddy Kite. "Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
G
Gwin, Bill. "Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach." National Center for Experimental in Television Reports 3 (undated).
Gusella, Ernest. A Statement on Video., 1979.
Grossman, Peter Z.. "Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
Grant, Roberta. "Ralph Hocking and the Experimental Television Center." Videoscope 1, no. 2 (1977).
Grace, Sharon. "Video Tape Survival: The Cleaning, Time Base Correcting and Reformatting of Deteriorating Video Tape for Real to Reel: Artists' Video 1970-72." Video Networks 9, no. 3 (1985).
Goss, Carol. Driven to Abstraction., 1998.
Goldberg, Henry. Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Godfrey, Robert. "On That Very Uncomfortable Edge: An Interview with Alan Sondheim." The Arts Journal (1989).
Gips, Terry. "Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.
Ghazala, Qubais Reed. Circuit Bending & Living Instruments: The Trigon Incantor., undated.
Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Gever, Martha. "Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference." Afterimage (1998).

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