Biblio
Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
"The Avant-Garde in Dry Dock." The Village Voice (1972).
"The Best of the West?" Videography 10, no. 5 (1985).
"The Electron Movers: Research in the Electronic Arts, Inc." Videoscope 1, no. 1 (1976).
"The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
"The Making of the Irish Tapes." Filmmakers Newsletter December (1975).
"The Mind's Eye and the Human Eye." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 185-200.
"The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
"The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
"Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
"Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
"TV The Next Medium." Art In America 57, no. 5 (1969).
"Uncanny Feminism: The Exquisite Corpses of Cecelia Condit." Afterimage 14, no. 2 (1986).
"Universal Requirements Check List." Architectural Design (1960).
"various." Film/ Video/ Multimedia Update 7, no. 7 (2004).
"various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
"various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
"Video." Artweek 26936 (undated).
"Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
"Video Technology and Practice." Screen 20, no. 1 (1979).
"The Videotape Collection at Media Study Buffalo." Afterimage 5, no. 7 (1978).
"History of Woodstock Community Video, Ken Marsh (1974). San Francisco: Straight Arrow Books, 1974.
In consecreation of New Space program notes., undated.
Operating Instructions manual NV-3130., undated.
Communication, Organizations and John Stuart Mill. San Francisco, CA: National Center for Experiments in Television at KQED, undated.