Biblio

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Schiller, Herbert I.. Information and the Crisis Economy.. Norwood, NJ: Ablex, 1984.
Schiller, Herbert I.. Communication and Cultural Domination. White Plains, NY: International Arts and Sciences Press, 1976.
Schiller, Herbert I.. The Mind Managers. Boston: Beacon, 1970.
Schilling, Alphons. Binocularis. NY: Galerie Ariadne, undated.
Schimmel, Paul, and Nam June Paik. "Abstract Time." Arts Magazine 49, no. 4 (1974).
Schimmel, Paul. Out of Actions: Between Performance and the Object 1949-1979. Los Angeles, 1998.
Schjeldahl, Peter. "Well, It?s a Heck of a Long Way from Marcus Welby." The New York Times (1971).
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Schlanger, Matthew. Jones Modular Video Synth., 2011.
Schlanger, Matthew. Black Dog Dreams., 1999.
Schlanger, Matthew. Art Statement., undated.
Schlanger, Matthew, and David Jones. Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.
Schlanger, Matthew. Jones Frame Buffer Prototype., 2011.
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Schlanger, Matthew. Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Schmidt, Klaus F.. "New Developments in Printing: Standardization in Four-Color Proofing." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 72-74.
Schneider, Cynthia, and Brian Wallis. Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).
Scientific American. Microelectronics. September 1977. Volume 237, Number 3.. New York, NY: Scientific American Inc., 1977.
Readings from Scientific American: Image, Object, and Illusion. San Francisco, CA: W. H. Freeman and Company, 1971.
Howard W. Sams & Co., Inc. Photofact Folder, Set 918, Folder 2. Sears Chassis 562.10330.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1967.
Sears, Roebuck and Co. Division 57 Television Standard Nomenclature, Chassis Nos. 528.62454, 528.62484, 529.62454, 529.62484.. Sears, Roebuck and Co., undated.
Sei, Keiko. "Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
Sei, Keiko. "Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
Seid, Steve, and Maria Troy. Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.

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