Biblio
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Sony Corporation of America. Sony PVM 1200 Monitor.. Sony Corporation of America., undated.
Disappearing Through the Skylight: Culture and Technology in the Twentieth Century. NY: Viking, 1989.
"The Experimental Television Center exhibition at the Everson Museum, September 19 - October 1, 1972." (1972).
The Camera Age. NY: Farrar, Straus and Giroux, 1981.
Digi-Presenter Manual. New York, New York: New York State Council on the Arts, 2005.
Panasonic Operating Instructions for Editing Video Casette Recorder NV-9500; NV-9500A and Editing Controller NV-A950.. NY, NY: Panasonic, undated.
Invitation for an Opening, 1983: Stories from the Old Ruin, 1991. Centre International de Creation Video Montbeliard Belfort, 1994.
"Eighth Annual New York Digital Salon." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. 33, no. 5 (2000).
Intel Corp. Intellec 8 Reference Schematic Drawings (Oversize). Santa Clara, CA: Intel Corp., 1973.
Computer-Based Video Synthesizer Hardware Documentation for project supported by the National Endowment for the Arts and the New York State Council on the Arts. Binghamton, New York: Experimental Television Center, Ltd., 1977.
Technisphere Corp. Rover Modification Package.. New York, NY: Technisphere Corp., undated.
Video Experiments." Print (1972).
"Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Video Obscura." Artforum 10, no. 8 (1972).
""Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
The Hearing." SEND (undated).
"Prime Image Operations Manual for TBC+ Digital Video Time Base Corrector + Digital Effects.. Saratoga, CA: Prime Image, Inc., undated.
Film: Real to Reel. Evanston, IL: McDougal, Littell & Company, 1972.
Videographe: Selection.. Montreal (Quebec), Canada: Videographe Inc., 1989.
Close Encounter with Ron Hays." Videography 3, no. 3 (1978).
"Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.
Main NEC Instruction Guide. Owego, NY: Experimental Television Center, undated.
Sandin Image Processor Construction Manual. Daniel Sandin, undated.
What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
"Video Documentaries: Are They Fact or Fiction." Videography 5, no. 6 (1980).
"Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
"Global Village 10th Annual Documentary Festival: The National Tour. NY: Global Village, undated.