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Bazin, Andre. What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Birdwhistell, Ray L.. Kinetics and Context: Essays on Body Motion Communication.. Philadelphia: University of Pennsylvania Press, 1970.
Barnouw, Erik. The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Boyer, Jean-Pierre. Letter of inquiry for a residency at the Experimental Television Center by Montreal video artist Boyer. December 2, 1973.., 1973.
Barthes, Roland. Mythologies. Translated by Annette Lavers.. NY: Hill and Wang, 1972.
Jones, Dave, and Richard Brewster. Jones Switcher. Binghamton, NY: Experimental Television Center, 1978.
Boyle, Deirdre. "Juan Downey's Recent Videotapes." Afterimage 6, no. 40545 (1978).
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Battcock, Gregory. New Artists Video: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1978.
Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Berger, John. About Looking.. NY: Pantheon, 1980.
Boyle, Deirdre. "Ithaca Video Festival." Televisions 8, no. 40545 (1981): 1-28.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Bode, Peer. Representation and Abstraction in Video., 1981.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Brewster, Richard, and Dave Jones. System I, Sequencer. Binghamton, NY: Experimental Television Center, 1978.
Betancourt, Michael. Visual Music Instrument Patents: Volume One. Borgo Press, 2004.
Bark Productions, Cuddy, Terry, John Beer, and Marshall Stax. Self-Portrait (Upside Down) by John Beer and Terry Cuddy. Ithaca, NY: Bark Productions, undated.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.
Bear, Liza. "various articles." Avalanche, no. 7 (1973).
Bubmann, Klaus, and Florian Matzner. eine DATA base: Nam June Paik, Edited by Klaus Bubmann. Germany, 1993.
BJA Systems Model 135 Colorizer Preliminary Data Sheet (2 copies); Chromaton 14 Synthesized Animation for Television. Willow Grove, PA: BJA Systems, Inc., 1976.