Events by Year

1998

Playback: A Preservation Primer for Video edited by Sally Jo Fifer, Tamara Gould, Luke Hones, Debbie Hess Norris, Paige Ramey and Karen Weiner is published by Bay Area Video Coalition.

1998

Video History: Making Connections, a conference concerning the links between early media history and contemporary practice, was held October 16-18, 1998 at Syracuse University in conjunction with the Common Ground Conference, sponsored by the New York State Alliance for Arts Education. Bringing together over 250 media makers active in the 70s and those artists working today in new media and interactive technologies, the conference celebrated our history and established new partnerships with cultural and educational institutions across the country. The project is made possible with support from The Andy Warhol Foundation for the Visual Arts, the New York Foundation for the Arts Technology Planning Grant Program, with public funds from the Statewide Challenge Grant Program and the New York State Council on the Arts, and from the Everson Museum of Art and the Media Action Grant Program of Media Alliance, with corporate support from Dave Jones Design and VidiPax as well as individual contributors.

1997

Animating the Static - Experiments in Video 1965-1980. Tapes from the Yale University Libraries videotape collection. Peter Campus, Vito Acconci, William Wegman, John Baldessari, Joan Jonas, Ant Farm, Howardena Pindell, Martha Rosler, Richard Serra, Nam June Paik, Bill Viola, Robert Morris, Mary Lucier, Dara Burnbaum

1997

The Female Closet by Barbara Hammer was sponsored by Experimental Television Center and supported by New York State Council on the Arts, 1997-98.

1997

Finishing Funds is a grants program of the Experimental Television Center, supported by the New York State Council on the Arts. Awards for 1997 were made to: Diane Brown "Lila, Eight to Twelve" - a video documentary centering on the the artist's niece and her pre-adolescent years, a time of passionate feelings as well as a strong sense of loss Luca Buvoli "Not a Superhero" - a playful exploration of identity, displayed as an installation on a 1950s tv set, in conjunction with hand-made movie-posters Ethan Crenson "Addendum" - a twist on my installation Fission, a visualization using mousetraps and ping pong balls, with a documentary presentation which begs the question of science Genevieve Boutet de Monvel "The Lilac Sniffers" - a video exploration of how the sense of smell monitors our behavior and brings us to the immediacy of our deepest memories Roz Dimon "The Living Room of the Future" - a digital installation reflecting the dominance of the computer in the changing infrastructure of our home Elvira Garcia-Moran & Dolores Zorreguieta "Through the Wound" - a multi-media interactive CD Rom project addressing the emotional world of a woman and her artistic work Amy...

1997

Leonardo, Vol. 30, no. 5, article, "The Grimm Tale: The Evolution of a Multimedia Performance", by Mary Ann Petit concerning her work "The Grim Tale" produced in part at Experimental Television Center

1997

With funding from the National Endowment for the Arts, Media Alliance contracts with Paul Messier of Boston Art Conservation to conduct preservation surveys with six media arts groups in New York State. Media Alliance Preservation Survey is published.

1997

Rockefeller Foundation awarded Film/Video Multimedia Fellowships to Elizabeth Barret, Hartmut Bitomsky, Debra Chasnoff, Adriene Jenik, Ruth Leitman, Jim Mendiola, Amir Naderi, Spencer Nakasako, Frances Negron? Muntaner, Suzan Pitt, Lourdes Portillo, Gustavo Vazquez, Stephen Winter, Bruce Yonemoto and Norman Yonemoto

1997

Steve Reinke: The Hundred Videos exhibition at Power Plant Contemporary Art Gallery, Toronto. January 17-March 31, 1997

1997

Web size estimated at 275 - 320 million pages

1996

"Not Still Art" Festival in Cherry Valley, NY, organized by Carol Goss. Participants include Robert Doyle, Carol Goss, Peer Bode, Walter Wright.

1996

25 Years of the Experimental Television Center exhibition at Art in General. November 8, 1996 - January 25, 1997.Curated by Ann-Sargent Wooster. Chronology of Experimental Television Center. Works by Tatiana Loureiro, Doris Chase, Peter D'Agostino, Shigeko Kubota, Mara Alper, Peter Rose, Shalom Gorewitz, Ann-Sargent Wooster, Richard Kostelanetz, Barbara Hammer, Paula Levine, Irit Batsry, Rohesia Hamilton Metcalfe, Matthew Schlanger, Dan Reeves, Connie Coleman and Alan Powell, Bruno Patero, Merrill Aldighieri and Joe Tripician, Peer Bode, Sara Hornbacher, Charles Woodman, Lisa DiLillo, Robert Fleming, Valalyne Green, Darrin Martin,

1996

Alexander Hahn - On the Nature of Things publication of Link project, Bologna, based on a five channel video installation of the same name, first exhibited in the Galeria Foksal in Warsaw, Movember 15-December 13, 1996.

1996

1996 Annual Mill Valley Film Festival October 3-13, 1996 organized by Film Institute of Northern California. Included interactive media by Daniel Reeves

1996

CD-ReWritable (CD-RW) is announced.

1996

Finishing Funds is a grants program of the Experimental Television Center, supported by the New York State Council on the Arts. Awards for 1996 were made to: Shawn Atkins "Frame by Frame Fierce" - An experimental 35mm film project, using animation techniques to attack the problem of rising HIV infection among teens Lisa Barnstone "The Inventor" - A 16mm narrative film project exploring concepts of ecological disaster Zoe Beloff "Beyond" - An interactive work for CD ROM which grew out of an episodic movie serial designed for the World Wide Web; a playful philosophical inquiry into the paradoxes of technology and imagination Alan Berliner "Found Sound" - A mixed media installation investigating contemporary mass media. Critical Mass activates the newspaper page as cubist space; Audiofile and Aviary are interactive sculptures wherein participants can compose sound collages; The Red Thread explores the transformation of electrical energy into light and sound Diane Bertolo "Probing into Science" - An interactive CD ROM investigating the language of science and the language of interactivity. It is a computer artifact, a science fetish, a semiotic drift, an algorithmic poem Bill and...

1996

Intel introduces the 200 MHz Pentium processor

1996

In March the Library of Congress holds hearings in Los Angeles, New York and Washington, DC for the Study of the Preservation of Television and Video, conducting a national needs assessment and resulting in a set of recommendations in areas such as cataloging, cleaning and remastering, education and storage.

1996

Meeting the Challenges of Video Preservation, by Jim Hubbard, with assistance from Mona Jimenez, is published by Media Alliance.

1996

New York State Media Festival April 12-13, 1996, Syracuse University. The second festival; the first occurred in 1993, the Upstate Media Festival. Both festivals were supported by Media Alliance, the Upstate Media Posse and the Art Media Studies Department of Syracuse University. The Posse organized to support planning for the first festival.

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