Biblio

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bibliographic
Sony Video Color Pack Model CLP-1B., 1970.
Blumberg, Skip. Postcard to Experimental TV Center. March 1975., 1975.
Herzogenrath, Wulf. Videokunst in Deutschland: 1963-1982. In German., Edited by Wulf Herzogenrath. Stuttgart: Verlag Gerd Hatje, 1982.
Curtis, David. Experimental Cinema. NY: Delta, 1971.
Soar Corporation. Instruction Manual: Digital Multimeter D2M2 series Model 4040.. Japan: Soar Corporation., 1986.
Korot, Beryl, and Megan Williams. "various articles." Radical Software 1, no. 4 (1971).
Correspondence Related to Moog Purchase at SUNY Binghamton 1970.. SUNY Binghamton, 1967.
Sony Corporation of America. Modification of Sony Model #YWV380PZK01A CCTV Camera to Operate Silicon Target Vidicon RCA Type 4875.. Sony Corporation of America., 1977.
Combs, Richard. "Lightning Over Water." 50, no. 2 (1981).
Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.
McMullin, Dan. "Interview with Kathy Huffman." Artists News 4, no. 2 (1989).
EMS Pitch-To-Voltage Converter, Eight-Octave Filter Bank Two-Voltage Random Generator, Synthi Sequencer 256, Keyboard DK1 and KS, Synthi-VCS3 Mark II, Synthi-AKS Sales Pages.. London, England: Electronic Music Studios, undated.
Sony Professional Video Equipment Brochure PV-120, EV-200 (2 copies)., undated.
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Panasonic NV-3130 1/2 in. Color Video Tape Recorder/Editor (2 copies)., undated.
Toffler, Alvin. The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.
LSI-11 Computer System Documentation. CA: Digital Equipment Corporation, 1976.
Ancona, Victor. "Video-Generated Photographs: Creating Still Images of the Imagination." Videography 6, no. 1 (1981).
Loeffler, Carl, and Darlene Tong. Performance Anthology: Source Book for a Decade of California Performance Art, Edited by Carl Loeffler. San Francisco: Contemporary Arts Press, 1980.
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
Gartenberg, Jon. "Twelve building blocks: Good Films, Good People, Support Base, Ethics, Skills, Procedures and Principles, Facilities, Money, Policies, Information, Coordination, Intellectual Framework." Journal of Film Preservation 24, no. 50 (1995).
Tekscope. Volume 9, Number 3.. Beavertown, OR: Tektronix., 1977.
Acconci, Vito. "various." Art-Rite: Video, no. Number 7 (1974): 1-32.
Roseman, Curt. "Video Design and Modification: George Brown." Filmmakers Newsletter 47 (1977).
Poster for Synergism: Video Environments and Performances. Gary Hill, Walter Wright, Sara Cook and Judy Bachrach. October 4 - 6, 1975., 1975.
Experimental Television Center, Brewster, Richard, Matt Schlanger, and Miller Hocking Sherry. Experimental Television Center System Manual: Manual for The Experimental Television Center Video Synthesizer Studio. Owego, NY: Experimental Television Center, 1976.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Radio Corporation of America (RCA). Solderless Connectors and Associated Tools, Broadcast and Communications Products. Broadcast and Television Equipment Instructions.. Camden, NJ: Radio Corporation of America (RCA)., undated.
Hara, Toshio, and Bjorn Tore Godal. Extended Points: Three Contemporary Artists from Norway.. Oslo, Norway: Hara Museum of Contemporary Art, 1998.
Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.

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