Biblio

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T
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Iimura, Takahiko. "Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Quasha, George. The Dialogical Mode., 1982.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Turim, Maureen. The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
The Film., undated.
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Tambellini, Elisa. "The Gate Theater." Artscanada (1967).
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).
Sanz, Luciana. The Language of Video., undated.
Youngblood, Gene. "The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Quasha, George. The Parapoetics of Video., 1982.
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.

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