Biblio

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bibliographic
Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
Lacan, Jacques. "Television." October 10 (1987).
Birdwhistell, Ray L.. Kinetics and Context: Essays on Body Motion Communication.. Philadelphia: University of Pennsylvania Press, 1970.
Pruitt, John. "The Video Work of Richard Foreman." The Downtown Review 3, no. 2 (1981).
CP/M Documentation Package. CP/M, undated.
Ancona, Victor. "Ithaca Video: Margin Notes on a Moveable Feast." Videography 4, no. 9 (1979).
DeFanti, Thomas A.. Exhibition of Computer Graphics in Collaboration with the SIGGRAPH '83 Exhibition of Computer Art, Edited by Laurin Herr. Japan: Hakuhodo Incorporated, 1983.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Tekscope. Volume 8, Number 1.. Beavertown, OR: Tektronix., 1976.
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Almay, Max. "Leaving the 20th Century: Interview with Max Almy." Camera Obscura 12 (1984).
Roland. Roland. MicroComposer MC-202 Synthesizer.. Roland., 1983.
De Jong, Constance. "Joan Jonas: Organic Honey's Vertical Roll." Arts Magazine 47, no. 5 (1973).
Wisniewski, Lance. "New Scene at Synapse." Videography 3, no. 2 (1978).
Bloch, Dany. l'Art et la Video: 1960-1980. Edizioni Flaviani In French, Edited by Dany Bloch. Locarno, Switzerland, 1982.
Hearn, William. 77 Videolab Matrix Switcher. Berkeley, California: Electronic Associates of Berkeley, 1976.
"various." Radio-Electronics (1968).
Creative Artists Public Service Program (CAPS). Annual Report 1980-81.. New York, New York: Creative Artists Public Service Program, 1981.
Video and Pulse Distribution Amplifiers Instruction Manual. Visual Electronics Corporation. Models V201-203, Visual VC201B, Visual VC220B.. NY, NY: Visual Electronics Corporation, 1965.
Kepes, Gyorgy. The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.
Barnouw, Erik. The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
Shibaden. TU12OU, Shibaden Solid State Receiver/Monitor (8"X10" Picture).. USA: Shiba Electric Co., LTD., undated.
Introduction to Final Report to NEA for the LSI-11 Computer Project. Binghamton, New York, 1977.
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
Ancona, Victor. "Skip Sweeney: Video as a Redemptive Medium." Videography 8, no. 8 (1983).
Sarkes Tanzian Inc. PDA-VDA Broadcast Equipment Division. Pulse Distribution Amplifier 85-341, Video Distribution Amplifier 85-182. Instruction Book 100-365.. Bloomington, IN: Sarkes Tanzian Inc., undated.
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
MacGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
Sony Videocorder Model CV-2100., 1968.
Demby, Betty Jeffries. "Highlights from Cannes: Ray: You Can't Go Home Again." Filmmakers Newsletter (1973).

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