Biblio

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Sevilla, Christine. "Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
Serge.. Serge. Synthesizer Modules Schematics.. Serge., undated.
Serge.. Serge. Introduction to the Use of the Serge Modular Music System.. Serge., undated.
Serge Modular Music Systems. Eight page packet of information.. Serge Company, undated.
Serge Company. Serge Modular Music System. Catalog and Data Sheet.. San Francisco, CA: Serge Company, undated.
Sequential Max Keyboard; Multi-Trak Keyboard Sales Sheets.. San Jose, CA: Sequential, undated.
Sencore "the all american line." PS163 Dual Trace Triggered Sweep Oscilloscope. Service Manual.. Sioux Falls, SD: Sencore., undated.
Semonche, Barbara. News Media Libraries: A Management Handbook, Edited by Barbara Semonche. Westport, CT: Greenwood Press, 1993.
Seid, Steve, and Maria Troy. Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.
Seid, Steve. "TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
Sei, Keiko. "Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
Sei, Keiko. "Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
Sears, Roebuck and Co. Division 57 Television Standard Nomenclature, Chassis Nos. 528.62454, 528.62484, 529.62454, 529.62484.. Sears, Roebuck and Co., undated.
Howard W. Sams & Co., Inc. Photofact Folder, Set 918, Folder 2. Sears Chassis 562.10330.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1967.
Readings from Scientific American: Image, Object, and Illusion. San Francisco, CA: W. H. Freeman and Company, 1971.
Scientific American. Microelectronics. September 1977. Volume 237, Number 3.. New York, NY: Scientific American Inc., 1977.
Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).
Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Schneider, Cynthia, and Brian Wallis. Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Schmidt, Klaus F.. "New Developments in Printing: Standardization in Four-Color Proofing." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 72-74.
Schlanger, Matthew, and David Jones. Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Schlanger, Matthew. Jones Frame Buffer Prototype., 2011.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Schlanger, Matthew. Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Schlanger, Matthew. Black Dog Dreams., 1999.

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