Biblio
Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Raytheon Learning Systems Company. Dage-Bell Corporation. Instruction Manual: Television Camera System, Type XRS-20 (Part Numbers 101598 and 101599). Manual Part No. 970129-01.. Michigan City, IN: Raytheon Learning Systems Company., 1967.
Raytheon Learning Systems Company. Dage-Bell Corporation. Instruction Manual: 101580-01 and 101581-01 Video Switchers.. Michigan City, IN: Raytheon Learning Systems Company., 1967.
Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
Sign Off: The Last Days of Television. Cambridge: MIT Press, 1982.
Some Organizing Principles in Man Machine Interaction. Chicago, IL: University of Illinois at Chicago Circle, undated.
Still Life in Real Time: Theory after Television. Durham, NC: Duke University Press, 1994.
Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 (26 pages). Owego, NY: Experimental Television Center, 1979.
The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.
The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.