Poster for Paul Ott and Fred Kessler exhibition at Everson Museum of Art, Syracuse, January 2 - 31, 1975. Included 2 day demonstration of Paik Abe Video Synthesizer by Walter Wright and Experimental Television Center.., 1975.

Poster for Synergism: Video Environments and Performances. Gary Hill, Walter Wright, Sara Cook and Judy Bachrach. October 4 - 6, 1975., 1975.

Poster for the 2nd Annaul Video Arts Festival. May 1973., 1973.

Poster. Video and Dancing in Binghamton. February 21 - 22, 1975. at Experimental Television Center. In conjunction with the American Dance Asylum.., undated.

Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).

Labat, Tony. "POV." Video 81 2, no. 1 (1981).

Osborn, Barbara. Preface to At Arm's Length (Taking a Good Hard Look at) Artists' Video., Edited by Barbara Osborn., undated.

Preliminary Development Report: The Arp Synthesizer. Newton Highlands, MA: Tonus, Inc., 1970.

Preliminary Operation and Service Manual for GPL Three Lens Turret Camera Supplement to Basic Manual for Precision Television System Model PD-150. Pleasantville, NY: General Precision Inc., 1958.

Preliminary Report of the Committee on Film and Television Resources and Services: Mohonk Conference., 1975.

Sondheim, Alan. "Presence of Future Presence of Video: Thing II." Art Vu (1994).

Noble, David F.. "Present Tense Technology." Democrary 3, no. 2 (1983).

Noble, David F.. "Present Tense Technology." Democrary 3, no. 3 (1983).

Noble, David F.. "Present Tense Technology." Democrary 3, no. 4 (1983).

Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.

Conway, Paul. "Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).

Mohlhenrich, Janice. Preservation of Electronic Formats & ElectronicFormats for Preservation, Edited by Janice Mohlhenrich. WI: Highsmith Press, 1993.

Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.

Wheeler, Jim. Preservation of Video and Audio Tapes., 1992.

Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).

Sargent, Ralph. Preserving the Moving Image. Washington, DC: Corporation for Public Broadcasting and the National Endowment for the Arts, 1974.

Rinehart, Richard. "Preserving the Rhizome ArtBase." Rhizome (2002).

Rinehart, Richard. Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.

Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).

Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Prime Image Operations Manual for TBC+ Digital Video Time Base Corrector + Digital Effects.. Saratoga, CA: Prime Image, Inc., undated.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Scanning., 1978.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Switch, Mix, Compare., 1978.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Signals., 1978.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Sync., 1978.