Biblio

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P
Poster for Paul Ott and Fred Kessler exhibition at Everson Museum of Art, Syracuse, January 2 - 31, 1975. Included 2 day demonstration of Paik Abe Video Synthesizer by Walter Wright and Experimental Television Center.., 1975.
Poster for Synergism: Video Environments and Performances. Gary Hill, Walter Wright, Sara Cook and Judy Bachrach. October 4 - 6, 1975., 1975.
Poster for the 2nd Annaul Video Arts Festival. May 1973., 1973.
Poster. Video and Dancing in Binghamton. February 21 - 22, 1975. at Experimental Television Center. In conjunction with the American Dance Asylum.., undated.
Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).
Labat, Tony. "POV." Video 81 2, no. 1 (1981).
Osborn, Barbara. Preface to At Arm's Length (Taking a Good Hard Look at) Artists' Video., Edited by Barbara Osborn., undated.
Preliminary Development Report: The Arp Synthesizer. Newton Highlands, MA: Tonus, Inc., 1970.
Preliminary Operation and Service Manual for GPL Three Lens Turret Camera Supplement to Basic Manual for Precision Television System Model PD-150. Pleasantville, NY: General Precision Inc., 1958.
Preliminary Report of the Committee on Film and Television Resources and Services: Mohonk Conference., 1975.
Sondheim, Alan. "Presence of Future Presence of Video: Thing II." Art Vu (1994).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 2 (1983).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 3 (1983).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 4 (1983).
Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Conway, Paul. "Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).
Mohlhenrich, Janice. Preservation of Electronic Formats & ElectronicFormats for Preservation, Edited by Janice Mohlhenrich. WI: Highsmith Press, 1993.
Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Wheeler, Jim. Preservation of Video and Audio Tapes., 1992.
Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
Sargent, Ralph. Preserving the Moving Image. Washington, DC: Corporation for Public Broadcasting and the National Endowment for the Arts, 1974.
Rinehart, Richard. "Preserving the Rhizome ArtBase." Rhizome (2002).
Rinehart, Richard. Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Prime Image Operations Manual for TBC+ Digital Video Time Base Corrector + Digital Effects.. Saratoga, CA: Prime Image, Inc., undated.
Hocking, Sherry Miller. Principles of Electronic Image Processing - Scanning., 1978.
Hocking, Sherry Miller. Principles of Electronic Image Processing - Switch, Mix, Compare., 1978.
Hocking, Sherry Miller. Principles of Electronic Image Processing - Image Processing Systems., 1978.
Hocking, Sherry Miller. Principles of Electronic Image Processing - Signals., 1978.

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