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Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Body, Vera, and Peter Weibel. Clip Klapp Bum, Edited by Vera Body. Koln, 1987.
Bell, Clive. Art. New York, NY: Capricorn Books, 1958.
Strange, Allen, and Donald Buchla. Electronic Music Resource Book: The Buchla Music Easel., undated.
Brewster, Richard. Hocking System: D+7A Input/ Output Extension Box. Binghamton, NY: Experimental Television Center, 1979.
Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Boyer, Jean-Pierre. Letter of inquiry for a residency at the Experimental Television Center by Montreal video artist Boyer. December 2, 1973.., 1973.
Berke, Joseph. Counter Culture., Edited by Joseph Berke. London: Peter Owen Ltd., 1969.
Baldessari, John. John Baldessari. Ny: The New Museum, 1981.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Birdwhistell, Ray L.. Kinetics and Context: Essays on Body Motion Communication.. Philadelphia: University of Pennsylvania Press, 1970.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Jones, Dave, and Richard Brewster. Jones Switcher. Binghamton, NY: Experimental Television Center, 1978.
Boyle, Deirdre. "Juan Downey's Recent Videotapes." Afterimage 6, no. 40545 (1978).
Barnouw, Erik. History of Broadcasting. 3 volumes.. NY: Oxford Press, 1970.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Beck, Stephen. Direct Video: Electronic Artform for Color Television. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Barthes, Roland. Image, Music, Text. Translated by Stephen Heath.. NY: Hill and Wang, 1972.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Bode, Peer. Representation and Abstraction in Video., 1981.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Althusser, Louis, and Etienne Balibar. Reading Capital. Translated by Ben Brewster. London: New Left Books, 1970.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.