Biblio

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bibliographic
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Tekscope. Volume 10, Number 3.. Beavertown, OR: Tektronix., 1978.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Rosen, Nancy. Artpark 1977. The Program in Visual Arts.. Lewiston, NY, 1977.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Wooldridge, Dean E.. The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
Heath, Stephen, and Patricia Mellencamp. Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Collier, John Jr. Visual Anthropology. Photography as a Research Method. NY: Holt, Rinehart & Winston, 1967.
Minsky, Marvin L., and Edward Friedkin. How to Make Muse Music User's Manual., Edited by Triadex Director Music of Ted Lagodmos. Newton Upper Falls, MA: Triadex Incorporated, 1970.
Gordon, George N.. Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Oliveros, Pauline. The Roots of the Moment: Pauline Oliveros. New York, NY: Drogue Press, 1998.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Tektronix Instruction Manual for the Type 529 Waveform Monitor.. Beavertown, OR: Tektronix., 1965.
Howard W. Sams & Co., Inc. Production Change Bulletin.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Ross, David A.. Douglas Davis: Events Drawings Objects Videotapes. Syracuse, NY: Everson Museum of Art, 1972.
Worth, Sol. Studying Visual Communication. Philadelphia: University of Pennsylvania Press, 1981.
Blumberg, Skip. Postcard to Experimental TV Center. March 1975., 1975.
Herzogenrath, Wulf. Videokunst in Deutschland: 1963-1982. In German., Edited by Wulf Herzogenrath. Stuttgart: Verlag Gerd Hatje, 1982.
Radio Corporation of America (RCA). Consumer Electronics, Technical Publications. Video Camera Service Data: Models BW003, BW004.. Indianapolis, IN: Radio Corporation of America (RCA)., undated.
Curtis, David. Experimental Cinema. NY: Delta, 1971.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1309, Folder 3. Wards Airline Model Gen-12743A.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Korot, Beryl, and Megan Williams. "various articles." Radical Software 1, no. 4 (1971).
Brewster, Richard. Buffer Memory. Binghamton, NY: Experimental Television Center, undated.
Ancona, Victor. "Is Go-It-Alone Video Practical?" Videography 7, no. 9 (1982).
Combs, Richard. "Lightning Over Water." 50, no. 2 (1981).
Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
EMS Pitch-To-Voltage Converter, Eight-Octave Filter Bank Two-Voltage Random Generator, Synthi Sequencer 256, Keyboard DK1 and KS, Synthi-VCS3 Mark II, Synthi-AKS Sales Pages.. London, England: Electronic Music Studios, undated.
Ampex. Magnetic Tape Trends: Application Engineering Bulletin. Bulletin No. 9.. Ampex, 1965.
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).

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